Praying for Rain

My heart, a seed within soil, calls the heavens to coax me out of dormancy.

My arms, oaks on drought-afflicted land, ache from the lost embrace.

My outstretched hands, messengers between earth and sky, cast pollinated prayers to the wind:

Beloved, do not allow your creations to wither. Without you, we are not whole.

Nourish our roots with your abundance; bring forth the flowers of our soul.

Deliver us to ourselves and let our purpose grow.

Finding God

A familiar face, long and narrow, levitates in the corner between tiles. Thin legs and arms drawn close, protective of her slender body. I’ve seen her here for weeks now, shielded her from downpour, and guided her to safety.

I bend to pump soap into my wet, warm hand. With my face nearer hers, I say, “hello, dear,” because she’s waving her arm at me. I reach my index finger to her and she stops waving to reach back to me. For a moment, she and I are like God and man on Michelangelo’s ceiling.

The next day, I look but cannot find the familiar face.

Efflorescence

Shifting, bending, building her heart

Exhaling incense, honoring grace.

When efflorescence comes to Lavender’s branch,

She bows her head in devotion.

With warm fingertips, the benevolent sun

Lifts Lavender’s chin and says —

It’s your divine purpose to fully express the depths of our soul.

Passing life through bees,

Scattering seeds like words to the wind

For Gaia to choose

How she will live forever.

The Lucky Ones – With Audio!

This is an excerpt from my Varanasi Sage collection, available in audiobook, paperback, and ebook. Originally written and published in 2017, “The Lucky Ones” was my first piece set in an art and music festival. The art that inspired this piece is “Phuture Pasture” by David Suckling for Burning Man 2017. Press the play icon below to listen!

The Lucky Ones

Twinkling lights strung around its frame, chain clicking in a dry loop, my bike created tracks on tracks in the dust, crossing tracks without pattern or reason.


The high desert mirrors the night sky; although the stars on the ground are colored, moving and spinning, careening chaotically. In the dark expanse, we put on our lights and become technicolor shooting stars.


By week’s end, the thin layer of dust on my bike will gather to look as though it had been left forgotten in the recesses of a workman’s garage. Dust on my clothes, my skin and my hair, in my nose, ears and lungs. By week’s end, I, too, caked with dust, will look old and forgotten.

A herd of cows appears. Dim lights twinkle from their insides, differentiating them from the dust and darkness. Stationary, unafraid, wooden skeletons wrapped in translucent nylon. Their twinkling lights, the same as my own.
In the darkness of the playa, amongst dust and art, these are the lucky ones. Peaceful bovines, sacred cows, bountiful goddesses of nourishment. They view passing amusements. Busses dressed like sheep and lighthouses, cars like genie lamps, golf cart abstract art, and bodies radically expressing themselves.


Our shared reality outside this city—the distortion of divine nature, the degradation of life by human command. Here, cows are not an exploitable object; a sentient being trapped in a pit of manure, in line for a violent death, never having eaten a blade of grass or stepped hoof in a meadow.

I, too, am a lucky one, in the darkness of the playa, amongst dust and art, not trapped in a war-torn city, used as a human shield.

The sadness of contrast, a melancholy inspection, thoughts and emotions rising from the depths of another’s creation. Here in the dust—in the middle of nowhere—surrounded by darkness and lights.

Death Becoming

Musty perfume rises from sage and transformation

My boot squishes red earth

Mycelium parade on storm-felled branches

Their fabric assimilates my own

Harmony in exchange

Balance in giving

Crochet lichen wave to me from leafless branches

Unified in rhythmic pulse

Ferns reach, offering bright hands after pulling back in fall

Death becoming life never dies.