The Lucky Ones

[First published in 2017 as “The Cows of Black Rock City,” this edition will appear along with many unpublished stories in a collection of shorts for Varanasi Sage — Due out in July!]

Twinkling lights strung around its frame, chain clicking in a dry loop, my bike created tracks on tracks in the dust, crossing tracks without pattern or reason.

In the dark of night, the high desert mirrors the sky; although the stars on the ground are colored, moving and spinning, dancing chaotically. In the dark expanse, we put on our lights and become technicolor shooting stars.

By week’s end, the thin layer of dust on my bike will gather to look as though it had been left forgotten in the recesses of a workman’s garage. Dust on my clothes, my skin and my hair, in my nose, ears and lungs. By week’s end, I, too, caked with dust, will look old and forgotten.

A herd of cows appears. Dim lights twinkle from their insides, differentiating them from the dust and darkness. Stationary, unafraid, wooden skeletons wrapped in translucent nylon. 

In the darkness of the playa, amongst dust and art, these are the lucky ones. Peaceful bovines, sacred cows, abundant goddesses of nourishment.  Their twinkling lights, the same as my own; viewing passing delights. Busses dressed like sheep and lighthouses, cars like genie lamps, golf cart abstract art, and bodies radically expressing themselves.

Our shared reality outside this city — the distortion of divine nature, the degradation of life by human command. Here they are not an exploitable object; a living, feeling being trapped in a pit of manure, in line for a violent death, never having eaten a blade of grass or stepped hoof in a meadow. I am a lucky one, in the darkness of the playa, amongst dust and art; not trapped in a war torn city, used as a human shield.

The sadness of contrast, a melancholy inspection, thoughts and emotions rising from the depths of another’s creation. Here in the dust — in the middle of nowhere — surrounded by darkness and lights.

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Phuture Pasture by David Suckling for Burning Man 2017

Forest Song

[This story will appear in a collection of shorts for Varanasi Sage, due out July 1, 2019.]

I opened the door, welcomed by early morning light peeking around clouds, caressing the world. Unseen doves proclaimed the day’s arrival in trilling coos. Oaks stretched in wild formations. Brown grasses stood defiantly against their drought deaths. The distant scent of a wood-burning stove — a reminder of recent wildfires that stopped at the next ridge. Deer tracks in the dust said I was not the only one who walked the trail.

They carried a flash, a remembering from my youth, making eye contact with a doe. She led me past trees, through ferns and ivy to her fawn, chestnut with white spots, nestled in the grass. Vulnerable. The doe watched as I knelt beside her baby, as I touched its tiny head, unaware of the danger to its fragile life. 

Through oak trees, lichen drooped long from their branches, the filtered sun created irregular, glowing shapes on the forest floor. Branches and leaves formed a tapestry of life, thick with energy, magnifying their essence and intensity. I was just one small organism in the network of life.  An enormous oak whose wide-spread branches twisted and turned, defied all patterns and rules. I approached the grand dame in awe of her divine, ancient presence, and when I moved under her furthest reach, the forest suddenly went silent.

A covey of quail (dressed in fancy spots, stripes and bobbling headpieces) whistled as they ran on speeding legs. A crinkling — Towhee kicking up leaves, flying in unison on purring wings when I approached. Acorn Woodpeckers squawked, perched on tree trunks — wearing tuxedos and red caps — drilling holes, stuffing them. Their gleeful chucking like happiness on the wind. I passed a giant oak, split at it’s lowest, thickest branch — down the middle. The top half on the ground, the trunk standing a jagged obelisk, rotted at the split.

Around a bend, a rhythmic cascade, almost like dropping water. I stopped to listen, but couldn’t make out the sound.

Slowly and quietly I walked, listening without seeing the source. At the crest, down the shaded hill, 5 or 6 deer chased each other, leaping between trees. They moved in s-curves, criss-crossing, creating figure eights with narrow hooves, playing like children in the forest. Nearer and nearer, they were so absorbed in their chase they didn’t notice me. Closer and closer, astonished by the sight, as close as I could get on the trail.

Overzealous, I stepped off the path and my human feet crunched leaves. Without showing signs of seeing me, they bounded away in perfect time through the meadow. At the edge of the forest, an antlered male turned back to look at me — knowing me, beckoning me on. 

On the other side of the meadow, the deer had left no trace.

A thick oak with a large horizontal branch, an arm reaching, pulled me off the trail. I hoisted myself up, stretched my legs and reclined back. Cradled in her arm, I gazed past the canopy to the sky. Rustling, fluttering, croaking, squeaking, laughing, whistling, chattering, calling. Each voice joined in one abundant song.

I could have lounged for hours, held by the tree and listening; yet, the forest did not sing for me. Symphonies without need for an audience. A true artist: creating for herself. 

“Show me the way,” I whispered. “How can I create like you?”

Close your eyes.

Moments passed, my ears opened to subtle layers of the song. Singers unashamed of their sound they received at birth. Each day a new score created without doubt or self-consciousness. Each voice accepted exactly as it was — knowing it had a welcomed part.

Unwrapping the Varanasi Sage

I haven’t even begun building the Varanasi Sage art installation and I’ve already hit a bump! Watch this video to see what happened — it’s all part of the excitement! I’m sure there will be many more bumps in the journey, so I’ve got to get used to it!

For more about the meaning behind this project, read Introducing: Varanasi Sage.

 

Introducing: Varanasi Sage!

I am thrilled to introduce my first art installation that I have been designing, registering, and creating for Burning Man 2019! Check it out!

Custom-printed prayer flags create a pyramid around a fawn resting in a lotus flower, on a platform decorated with glyphs that convey a message: True wisdom belongs to the natural, non-human world. Each flag helps the participant dive deeper into the meaning of the piece, and one even has a guide to decode the glyphs. Lights illuminate the space and lights behind the lotus make the petals glow. A speaker within the platform plays sacred sounds. On the platform, a red button reads “Do Not Press.” A suggestion box below the fawn asks: “Why are you here?” A door in the back of the platform opens to reveal a zine stand, filled with zines written by me. These elements deepen communication and facilitates interaction with the curious.
A fawn does not belong in the desert, nor does it lay in lotus flowers, so it must be a magical, enlightened creature! And it’s smallness and vulnerability in a harsh environment make the participant feel compassion for the creature. Humans must choose not to destroy the natural, non-human world and instead revere it as the divine. These contradictions jar the participant, creating a sense of vulnerability, which encourage authenticity, tenderness, and the wisdom inherent compassion, harmony and gentleness.
In the spirit of this year’s theme, Varanasi Sage explores the reality that deep transformation can come from a place of peace. Even in the chaos of the playa, one can find peace. Varanasi Sage provides participants with a beautiful, peaceful place. People may feel overwhelmed or lost in deep playa — this is a refuge. It provides comfort and calm and shows that peace is always available.

via Varanasi Sage

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Burning Intentions 2018

It’s time for Burning Man! The past two years, I’ve shared my intentions for the experience because writing intentions and having a witness strengthens their power. This post makes the third. Thank you for being my witness.

This year, I’m taking a new project — a meditation and lounge space I’ve been dreaming of for several years and fundraising for with many collaborators. May the Lounge be a sacred space of healing and connection; may it bring all who enter deeper into wholeness and unity.

I’m teaching my workshop, “Meditation and Writing,” three times this year: Monday, Wednesday and Friday 3-4 pm at Stellar Dusty Moon 5:30 & H (in the Lounge!). May the workshop serve us in the unique way that we need for our paths; may it provide us with insight, peace, and grounding.

My favorite part of Burning Man is the art — may I meet the artists and have profound experiences with the art.

May the workshops I attend guide me in my journey and connect me with others. May I see the heart of the earth in everyone I meet!

Coming Soon: Glamsient, the Book!

During this winter season, I’m making the final push to complete my first book! I’m on track to have it finished in Spring.

In order to prepare the release, I’m taking time off from publishing work here. Check out photos from my current travels on Instagram http://www.instagram.com/glamsient

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The Inside Joke

After a full day building camp, several friends formed a group to go out. Of course I wanted to join! I grabbed my necessities (headlamp, toilet paper, goggles, emergency champagne) and hopped on my bike. As we turned onto the esplanade, art installations rose from the dust as far as I could see. I lagged to catch glimpses of them as we passed. Art or friends? Art or friends? Curiosity pulled at me. 
And then — we approached a pier. 
Group mission be damned! This was the emptiest the playa would be for the rest of the week, and soon the pier would be crammed with tourists.
I stopped and put my feet onto the dust. I pulled the scarf off my mouth and called to my friends: “Guys! I’m stopping to look at art!” Either they didn’t hear me or didn’t care.
Except for Kitten, my faithful companion.
“I can’t keep passing art installations. It’s our first night out,” I looked towards our group; they had already blended in with the other blinking lights.
“We have all week to find music, but we only have a week to look at art,” Kitten dismounted his bike.
We stepped onto the pier. Nets and ropes hung between posts, hammocks swayed beneath the boardwalk. A long string of lights romanced me. I hooked my arm into Kitten’s.
The boards creaked under our footsteps — just like the old boardwalks I’ve wandered along in seaside towns. And for a moment, when I relaxed my eyes and looked up, it felt like we were at the sea. But looking down, seeing the dry lake bed below us, I thought of the sheer genius and manpower it must have taken to build this dock — from the concept to the design to bringing the materials and assembling them in the middle of nowhere without basic amenities like running water. 
We arrived at the midway tower. We leaned in to view its inner intricacies. Some people were gathered on the upper level; I’d be willing to bet they were drinking whiskey.
“Want to go up?” Kitten asked.
“Not particularly.” I felt content looking inside the tower at the details that made it seem more like a relic than a modern piece of art. It gave me a sense of nostalgia for a time I knew only in turn-of-the-century novels. Antique photographs, compasses, hourglasses, bound books, and glass bottles — in all colors, sizes and shapes — the scene piqued my curiosity to touch and pick up the items. Every detail existed for exploration, a mystery to be revealed, a reverie in which to lose oneself. It was a living, breathing piece of art that transported us to a different time and place. The curiosity, the wonder of it all, put me back into the frame of mind of a child: everything was new and strange and deeply interesting.
On the other side of the tower, we found an antique desk — the kind in which the door to the main compartment folds down to become the writing surface. My literary heart skipped a beat. 
“And what could be inside?” My curiosity whispered with glee. 
When I opened it, I found the cubbies, that once may have organized papers and mail, were filled with antique glass bottles. How odd. I touched a few, pulling them out of the compartments and examining their details, trying to understand their riddle. And then — I found one that contained a piece of paper.
“A message in a bottle!” I gasped. I lifted it with awe. The bottle’s long, skinny neck was jagged at the top. “What kind of message do you think it is? Profound wisdom?” 
Kitten shrugged.
I slowly put my index finger into the bottle, careful not to touch the toothlike edge, but my fingertip barely reached the paper. I pushed in a little more until the base of my finger rested against the pointed teeth. I could only move the paper around in circles along the side of the bottle. The shape of the neck made it impossible to drag the paper out.
“Don’t hurt yourself,” Kitten warned. “We are in the middle of nowhere and it’s dirty. You’ll want a working hand for the rest of the week.”
I sighed and pulled my finger out. “I’m just too curious.” I turned the bottle over and around, trying to see if I could read the message from the outside, but the paper was folded in half. Even more mysterious. I inverted the bottle and shook it, but the paper wouldn’t fall out.
“Oh well, let’s go,” Kitten said. “Slicing your finger is a bad way to start your Burn.”
“Let me try one more thing.”
I held the bottle so the paper was at the very base of the neck. I put my finger back in and pressed the paper firmly against the glass. It slid along the edge, I almost got it passed the base of the neck, but it slipped back. 
“Leave it, come on, there’s a lot more to look at,” Kitten said. “There’s bottles everywhere. Just look at all these bottles over here.” He motioned to a couple of antique suitcases behind us with bottles on top of them.
 “I have to know what it says!” I insisted. “I can’t just find a message in a bottle in a desk on the dock in the middle of the desert and just — walk away without knowing what it says! A message in a bottle at Burning Man. Who knows what it says? Maybe it’s written by the artist.”
I turned the bottle a little more, got my hand on the side with the shortest teeth and finally — I had the paper sliding up the neck and out of the bottle! I held it in my hand like it was a golden scroll of truth. “Yes!” I said to Kitten, my eyes wild with excitement.
I unfurled the paper and paused. I was hungry for the message I worked so hard to receive, but needed a deep breath. Delayed gratification.
“Come on, open it,” Kitten said.
I opened the paper. 
I read it aloud: “Go Fuck Yourself.”
Kitten and I looked at each other and burst into laughter.
“Oh that is good,” I said as I caught my breath.
“We should’ve seen that coming,” Kitten smiled.
“A special message from the artist,” I joyfully mocked myself as I folded the message and rolled it back up. “A message just for me! How absurd.” I laughed as I placed the paper back in the bottle, making sure it was all the way in for the next person.“Well worth the effort, I say.”
“It couldn’t have been more perfect,” Kitten agreed.
I put the bottle back exactly where I found it and closed the desk.
Kitten and I continued our walk along the creaking pier to the very end. I looked out at the playa — illuminated art installations dotted the landscape — and I realized this pier was on an endless sea of wonder.

“The Pier” by Gurps Chawla

The Cows of Black Rock City

My bike, with twinkling lights strung around its frame and the chain clicking in a dry loop, glides along the dust, creating tracks on tracks, crossing tracks without pattern or reason. 

The high desert, in the dark of night, mirrors the midnight sky.  

Now, the thin layer of dust on my bike, by week’s end, will gather as though it hasn’t been ridden for decades, but instead, left old and forgotten, in the recesses of a workman’s garage. Dust on my clothes, my skin and my hair. I wear a scarf over my mouth and nose, but there must be — there has to be — dust in my lungs. By week’s end, I will also look old and forgotten.

Colored lights move and spin and dance chaotically. We become our lights in the dark expanse; nothing else to differentiate between us and the nothingness, we put on our lights and become technicolor shooting stars.

A herd of cows appears out of the dust and darkness, dim lights twinkle from their insides, the only thing differentiating them from the nothingness. I ride up to them. Stationary and unafraid, metal skeletons wrapped in translucent nylon.

Sadness wells in my heart.

Peaceful bovines, sacred cows. An object. Not a living, breathing, feeling creature. Yet these are the lucky ones, in the darkness of the playa, amongst the dust and the art; they are not trapped in a pit of manure, in line to die never having eaten a blade of grass or stepped foot in a meadow.

Their twinkling lights are the same as my own. 

Our shared reality — the degradation of life, the distortion of our divine nature. Yet I am one of the lucky ones, in the darkness of the playa, amongst the dust and the art; I am not trapped in a war torn city, used as a human shield.

I remember feeling this way last year — or was it the year before? The sadness of contrast, a melancholy inspection, sudden thoughts and emotions inspired by the depths of creation. Here in the dust — the critique of modern industry, modern society, modern greed — in the middle of nowhere, surrounded by darkness and lights.

The Herd of Cows in the morning

Burning Intentions 2017

It’s late and I’m watching the newly-waxing moon set in the west. I’m driving through the mountains, en route to Black Rock City for Burning Man. This will be my third time participating in the art and music festival. 
Last year, I set intentions that mainly focused on my interactions with other people. And although they were extremely elevated, I saw and felt my intentions manifest in some of my experiences.
I’ve been humbled and challenged this past year — especially recently — and my intentions reflect my need for deep nourishment and reflection.
To share our intentions is to empower them. Please read mine below:
I intend to reestablish my relationship with my creativity; to fully engage with the art installations at the festival and allow myself to be inspired and motivated by them. I need to reset my relationship with my creativity in order to create for creation’s sake without the desire to be seen, popular or make money. This will afford me the freedom I need in my artistic pursuits. I must reconnect with my truth that God’s gift to me is my creativity and my gift back to God is using it.
I intend to be open to receiving the keys I need to enhance my productivity and fulfillment.
I intend to continue the process of letting go of the pain and hurt I hold onto by releasing the people and events from my heart that continue to cause me suffering.
This year, I would like to feel and witness the expansive love that is my true essence, so that I will know who I am.


Photo by Juan P. Zapeda last year at Burning Man.

Playa Angels

“We made it!” I gasped when the first hints of light created deep blue swaths of color on the dark sky. 

Music pumped from the Mayan Warrior’s sound system while its lasers sparkled and shot into the sky as if they sought to reach the stars. The DJ danced to his music in the center of the bus with his entourage around him. The crowd, enthralled by the music and the light show, moved rhythmically to the driving beat with their backs to the rising sun.

“Shall we?” my sweetheart asked.

“Oh yes, it’s time,” I said. I turned to our new friend Gregg and touched his arm with my gloved hand, “we’re going to celebrate the dawn with a bottle of champagne. Would you care to join us?”

His face brightened with surprise: “sounds great.”

We stepped from the crowd towards sunrise. Lasers continued piercing the darkness with criss-crossing patterns, but each beam of light lost its length as the darkness faded. Yellow and orange streaks appeared at the horizon. Some may say the heavy cloud cover blocked out a beautiful sunrise, but I think it created an intricate canvas for the growing light to paint upon.

“This is the real light show,” I said as a pink tints made their debut. “Even the most next level lasers can’t compare with Creation.”

The playa became white again and the mountains surrounding the flat lake bed appeared out of the darkness. We stopped far enough away that we could still hear the music, but not be distracted from the dawn. My sweetheart gave me the bottle of Champagne. I popped the cork and offered the first drink to Gregg. I took a deep breath as if to inhale the scenery and watched as the strip of sky between the earth and clouds became vibrantly yellow, orange and pink.

We drank our Champagne and soon the men began talking shop — both in the field of sound and music, they spoke in a language that I couldn’t understand. That’s when I unsheathed a pair of rainbow silk fans my friend and somatic healer, Muse, gave me in Spring.

As I touched the silk, her voice echoed in my mind: “These fans are medicine,” she said upon presenting me with the gift. “They will open your heart and give you more confidence; they will allow you to integrate more of your body into your dance; they will help you take up more space.” I didn’t understand what she meant. Why should I take up more space? For months they sat on a shelf.

Until that dawn.

I unwound the silk from the bamboo ribs. Wind immediately danced with the silk flagrantly showing off her natural talent. I hesitated for a moment, positioning my body so the silk could move and bend unobstructed through the air. Every color of the rainbow glowed in the morning light. Spreading the bamboo wide, the silk followed and softly, gently caressed the space around me. I lifted my arms and watched as the silk mirrored my movements, large rainbows flowing from my hands. 

I moved my arms in large arcs and my hands in flicks to create waves of color — the wind danced with me. Together, we celebrated the morning star; together, we paid homage to the Creator of All. As I danced, I felt beautiful, free, and connected with Nature in a new way. 

Vibrantly opulent colors at the horizon continued to announce the morning star, but to the west, clouds softened every hue.  

Suddenly, it hit me: I understood what Muse meant. The fans helped me move in new ways extend my body in all directions, I was dancing without the constriction and confines that I wanted to break, and in opening my arms I was opening and stretching my chest and shoulders — I felt confident and effervescent — a far cry from the way I normally danced. Like a flower, my soul bloomed with the rising sun. Joy coursed through me as the sun first peeked over the horizon; I had to share my newfound expression of Love.

I saw a couple embracing not too far from where I swirled and played with the wind. They, too, appeared to me as a perfect reflection of Love. Approaching the strangers, I did not feel one iota of doubt or self-consciousness. I let the fans lead the way, guided by the wind’s breath and the slow movements of my arms.

As I came close to the couple, they turned and looked at me with smiles on their faces. 

“Do you mind if I celebrate you for just a moment?” I said raising the rainbows into the air.

“Go ahead!”

I danced around them, extending the expression of my love and devotion to meet theirs and converge in reverence to the day.

“What’s your name?”

“Whisper,” I said, introducing myself with my playa name. “What is yours?”

“Out here, I’m Radical, and this is Kam.”

“It’s lovely to see you here,” I said. “Can I give you a hug?”

“Yes,” Radical extended his arms.

Kam opened his arms next, “thank you for the celebration.”

“I couldn’t help myself, you two are so beautiful — I was drawn to you.”

They both smiled at me and then at each other.

“Recently,” Radical said to me, “I’ve become interested in signs and symbols — as a way to communicate with — you know — Creator, Universe, One, Source, whatever you want to call it.”

“I understand you, whichever term you want to use,” I said.

“Ok, so, I don’t know if you’re familiar with it, but in the story of Noah, the rainbow appears at the end of the flood, communicating divine mercy — it’s an act of compassion, kindness, and love. It shows divine favor. And recently I’ve been thinking, the most compassionate and loving thing we can do for ourselves and others is to forgive,” despite his smile, tears sparkled in his eyes reflecting the sunlight. “I’m overwhelmed with the beauty of this moment. I feel so loved — seen — by the Divine. I’ve been feeling this gentle nudging in my heart and spirit to forgive, but my ego gets in the way. Now I’m seeing my true path — it’s one of forgiveness, love, compassion, mercy — for myself and everyone around me. The deepest desires of my heart and spirit — this force of Love that’s greater than us — it sees me, it knows my desires and it’s telling me I’m supported.”

I put my hand to my heart acknowledging the power of his statement. “I have been feeling the same way. I never considered that rainbows are a symbol of love, but that’s what I’ve been feeling, too. I brought them out to celebrate and appreciate the dawn. And your movement towards forgiveness, I can relate so well to your experience. I have also been wanting — needing to practice what I consider ‘radical forgiveness’ for myself, for the people I love, for strangers. And like you, my ego is the one that holds me back. But you’re right, that’s what Spirit wants from us. Even deeper, this moment, you — you’re also showing me that Spirit sees and hears my deepest desires. I wrote a list of intentions before I came to Burning Man. And our interactions right now are fulfilling, well, pretty much all of them!”

Kam raised his eyebrows and looked at Radical with a knowing smile: “I told you that you’d meet your mirrors on the playa.”

Radical beamed, “we are reflections for each other!”

When Gregg and my sweetheart joined us I introduced my new friends. Together, we rode past the lighthouses, through the speed-of-sound hoops and to the BAAAHS (an art car resembling a sheep). We danced, we took a slide through the sheep, we climbed to the second story and we talked about our lives, our experiences and our dreams. We even ate freshly baked chocolate chip cookies! Someone had the foresight to bring a portable oven and we were lucky enough to find them.

The sun lifted higher into the sky, the BAAAHS pulled away and we knew it was time to get back to our respective camps. On our way, we rode to the temple, which had yet to open. 

“It’s incredible the amount of manpower and care this construction requires,” Radical said. “And then for it to burn.”

I marveled at the stacked boards that created an airy, ornate pagoda. “Last year, watching all the art burn helped me learn to let go. We work hard, we want to create something with our time on earth, and ultimately we die. But it’s glorious. Our lives can be a work of art, created just for creation’s sake. And to make an impact on all those who witness it, however brief we exist and however many people we encounter.” I thought of the fans and Muse’s message to me. How could I have known the medicine she spoke of would connect me to others, spread Divine insight, and help me manifest my soul’s desires. 

“Maybe that’s part of the lesson of forgiveness. Maybe it’s an art. I know it’s a process of letting go, but it can also be the way we have an impact on others. Forgiveness is Love. Shouldn’t we give that to ourselves and others freely? We will burn away at the end of our lives, I think the question we have to ask ourselves, is how can we make our lives something beautiful? Even if it houses pain, like the temple. It can still be beautiful and an expression of Love.” Radical took off his backpack and began rummaging through it. “I want you to have this,” he held out a glass figurine.

An angel, with large wings and folded hands, looked up at me.

“I put this in my backpack last night,” Radical continued with a soft voice. “I believed I would meet an angel — I needed, wanted an angel. It’s you. You saved me spiritually this morning. You restored my faith. The Divine spoke to me through you.”

“What an incredible gift. I humbly accept it, but I wonder much I deserve it since the fans did most of it.” I held the gift in the palms of my hands and thought of Muse and the ripple she started. “I can’t tell you how much this means to me. Our entire experience has been an incredible alignment. I feel like it was destiny. Like I was in the right place at the right time, and that I followed the soft voice that told me to celebrate you. And as we are mirrors, you are my angel, too. Meeting you and having this connection is exactly what I wanted coming to the Burn.”

We hugged.

“Please come to our camp,” I told him. “This evening we’re having a party and I would love to give you a gift so that you have something to remember me by.”

Radical agreed, but we knew the challenge of meeting again on the playa — forgetting an address, losing track of time, or getting swept away in some other moment. We all said our goodbyes, thanking our lucky fortune for meeting each other. 

As our bike paths diverted, I held the angel in my hand with gratitude and asked her to bring them to our camp that night. 

(She did!)

The Mayan Warrior as the Sun began to rise

  

The Crowd at the Mayan Warrior
Sunrise at the Horizon

    

The Mayan Warrior behind Us
Radical and Yours Truly
Radical and Kam Playing with the Rainbows
The Look of Love
   
From Left: Radical, myself, Kam, Morning Star
Friends at First Sight
Lighthouses in the Distance
 
Yours Truly Dancing in the Morning Light
Not Bad for a Total Newbie


The Gift from Radical at my Home

All photos and videos courtesy of Radical and Kam.