A Voice Cries out in the Wilderness

A few days ago, I wanted to hike somewhere I had never been before. I chose the Loch Leven Trail in the Tahoe National Forest because of the picturesque lakes, waterfalls, and railroad crossing I saw online. On the drive up I eagerly anticipated the new adventure. 

As soon as I arrived, however, the unfamiliar terrain made me uneasy. Eventually, I found the trail marker — an old, weather-worn, small, wooden sign nailed to a tree. It was so inconspicuous, I was surprised I saw it.

Stepping onto the trail, it took me several minutes to orient myself. I walked along boulders, often intuitively choosing the direction; many times the trail split into deer paths. I felt a growing nervousness. It would be better to do this hike with a friend. I thought of going back. But no! My glamsient life is not about limitations! It’s about freedom and adventure! Instead of turning around, I built cairns to mark my route. 

As I hiked, loneliness settled deeply into my heart. With a friend, building cairns would be fun, we would laugh when they fell and see who could build a better tower; we wouldn’t be scared because we would have each other. By myself, it was a response to real fear — getting lost in the wilderness, alone.  

The loneliness grew: it wasn’t just this hike, it was a continuation of loneliness I experienced since I began my glamsient journey a year ago, as if it picked up where the previous lonely day had left off, compounded by the ones before that.

Keeping to my mindfulness practice, I stopped and encountered the loneliness. The pain diminished under the light of awareness, and once it did, I meditated on feelings of love — the eternal wellspring of love. 

Despite my efforts, however, the loneliness kept returning. I knew following sadness into despair was not the way; it is a pattern in my past, and I am leaving that behind. But when would the loneliness stop, so I could just enjoy myself? 

I may have been climbing a mountain, but I was climbing on the inside as well. I was fighting between who I have been and who I want to be. And every internal step began to feel more and more tired.

I kept going; trying to remain present; building cairns; listening to trickling streams caress the trail, sliding down rock faces that once housed glaciers; watching tiny waterfalls cascade over tree branches; hearing the small sound of a grey frog bellyflopping into a puddle when I startled him.

Turning a corner, I came upon a snow patch! I was elated to see snow this close to summer, but then I was overcome with loneliness because I didn’t have a friend with me to share my joy. What was wrong with me? Why couldn’t I be happy just to see it by myself?

In all this pain and conflict, I had to sit on a rock to center myself. When I did, tears came to my eyes, and I let myself cry. I stayed present with my sadness; it was joined by doubt. In my glamsient life, wasn’t I walking a new and unfamiliar path? I had chosen to become a glamsient to fulfill a deep need to self-actualize artistically, and it had since grown into a journey of deeper consciousness and spirituality. But if I was so lonely on this new life path that I couldn’t enjoy the trail under my feet and the unfolding adventure, what was the point? 

Suddenly, the path I had chosen a year ago didn’t make sense. Suddenly, even though it had seemed right at the time, I felt like I should have never left my easy, comfortable, former life. I had a nice home and a large group of good friends. I hadn’t been deeply satisfied, it lacked substance and felt restrictive, but at least I never felt like this! Why would I ever leave that easy life behind? 

Certainly, the past year of glamsient living gave me moments of unparalleled joy and, although I have a lot of work to do, I have grown as an artist — producing more and better work than before. Taking the time to dive into my spirituality has created greater meaning and presence in my life. Moving towards greater consciousness has helped me become aware of and break habitual attachments and patterns. But couldn’t I have done all this, couldn’t I have made the same artistic and spiritual gains, and still kept my familiar home and nearby friends? Wasn’t this new path counterproductive if I felt so miserable and conflicted in this present moment? 

I looked out past the trees to see billowing clouds above the snow-capped mountains articulated by jagged points and crags. 

“Help me,” I said through my tears, a voice crying out in the wilderness. “Let me see the Truth.”

For no reason in particular, I turned to look behind me. There I saw a small pine tree with a curved trunk growing out of a rock! I laughed through my tears. I have long identified with trees growing out of rocks; my spirit seems to me like it springs from a hard and lifeless place and it is only through the sheer power and persistence of the Creator that my soul survives and thrives. I even have a tattoo on my leg of a tree with a bend in its trunk — just like the tree I saw before me.

As if I were given an immediate answer to my cry, the Creator spoke to me through the small, bent tree: “You are never alone. I am here, watching, listening. Feel me. Feel my Love. You belong on this path — this unfamiliar, new path. The struggle you feel is your spirit breaking the chains of illusion. Your suffering is an illusion created by your mind from false ideas and parameters of happiness. Have faith in this path; I illuminated it in Truth a year ago. I led you here. Trust your creativity; it is my gift to you; it will heal you. Trust your dreams; I gave them to you and I want them to manifest. Trust that as you follow your dreams, you step closer to Me and your own divinity.”  

Hearing this message with the ears of my heart, I felt a sense of comfort and strength wash over me. Without leaving my former life, I would not have gotten to this very moment on this rock to encounter the Spirit that tore through my sadness with Truth. Without leaving my former life, I could not embark upon this new journey that is filled with inspiration, expansion, meaning, and authenticity. With renewed support, I closed my eyes and allowed the air to dry my tears. I saw myself scoop the dark and painful emotions from my heart and surrender them to the Divine. In the open space a love, whole and gentle, spread outward with a vibration so complete that it softened the edges of my being. 

   
I stood up, and with faith in myself and my journey, continued hiking the unfamiliar path. 

On my way down the mountain, I passed several cairns I had made. One even helped me when I couldn’t find the trail. When I saw the parking lot, it seemed I completed an incredible journey, not just a couple miles. 

Getting into my car, a half-grown pup ran over to me, smiling and wagging it’s tail.

“Hey, buddy,” I said.

His owner, wearing all khaki including a floppy hat with the chin strap pulled tight, approached us. “Finishing up?” He asked.

“Yep.”

“How was the trail?”

“Beautiful. I love hiking. I would have preferred to hike with another person, but the time alone was –.”

“Enriching?”

“Eventually. I was pretty uneasy at first.”

“Understandable. You know, there’s a lot of hiking groups in this area. They go around and hike all the peaks together. You should check it out.”

“Thanks! That’s a great idea.”

“Have a good day,” he said.

“I will,” I replied, sure of my words, “you, too.”

A Bridge on the Loch Leven Trail; Tahoe National Forest

 

Ecstatic Dance with Ryan Herr

Moving the body while clearing the mind is a great way to touch and express emotions that ultimately block us when we get stuck in them. I’ve kept a yoga practice for years, and it has been integral in helping me gain flexibility in my body and mind.

And then I tried ecstatic dance.

Based on three principles (free movement, no talking, and respect for oneself and others), ecstatic dance sounded fun when a friend described it. She said the radical self-expression and silence takes the mind-body connection deep, and with more freedom than a yoga session, it facilitates a unique healing experience.

From the moment I signed in, I found the ecstatic dance community welcoming, friendly and inclusive: the perfect antidote for the disconnected feeling I had from constant travel. While I was waiting for the session to begin, however, I felt uncomfortable and awkward. Free movement. What did that mean for me? What did that mean for everyone else? Would they look at me and judge me? Luckily, the MC guided us to “think less, feel more.” We were encouraged to start with very small movements, if any — some people sat in meditation. Closing my eyes, I was able to tune into my body more and think less about what my body was doing, I simply did what felt good in the moment.

It wasn’t long into my first session before I stopped thinking altogether and let my body flow, connected to the music.

The freedom of making shapes and dancing like nobody is watching helped me let go, yet totally express myself. Sometimes, I feel a disconnect between my body and mind, but it doesn’t take an anatomy class to know they are one. And as I am able to let go in my body, I am also able to let go in my mind. I can tell where my body is congested without judging it and I think these spots are connected to my emotions. I move through them. I move into them. Feeling deeply and fully expressing these feelings is liberating. It allows me to integrate emotions.

The best ecstatic dance sessions (in my opinion) incorporate live music in the DJ set, and just recently, I was in San Luis Obispo, California and dropped into a session with multi-instrumentalist DJ Ryan Herr.

Having played ecstatic dances for over ten years, Ryan has find-tuned his set to include a variety of tempos and styles while covering an array of world music, electronic beats, live improvisation, and original tracks. At times, Ryan layers live instruments on top of recorded music and, at other times, he completely brakes away from the computer and creates music on the spot. Ryan chooses from various instruments including a mandolin, guitar, and electronic hand drum.

When I asked him about this technique, he said he uses the pre-organized tracks to “blend and flow into something live…and unplanned.” Oftentimes, these improvisational moments allow Ryan to feel that he and the dancers have “arrived.”

“What does that mean to you?” I asked.

Ryan explained: “I’m attempting to have an interaction or conversation [with the dancers]…if you go back to indigenous cultures there was no separation between drummer and dancer. They were the same thing. One couldn’t happen without the other. I’ve always tried to keep that relationship, at least with dance music. That’s part of the reason I do something completely spontaneous because that is dropping into a direct connection that is only happening here.”

And, truly, our shared experience with ecstatic dance proves the unity between drummer and dancer. Like the dancers, Ryan is able to feel into the music and he has the freedom of I constrained expression to access the healing aspects of music to help him move through emotions.

Ryan noted that because ecstatic dance moves away from performance and convention, it allows both dancer and musician to experiment more. The lack of expectations of ecstatic dance has helped Ryan “develop as a musician. People come to be in a movement space. It’s less of all the eyes are on you as when you’re on stage, it’s more free-flowing. And that energy makes me feel like I can go off the beaten path; there I’ll stumble across awesome things and I’m able to save that on my pedal for later and I can turn that into a produced song.”

Likewise, I take the space and clarity I gain through the course of a session into my daily life.

Everything about ecstatic dance sessions combines to form a unique resource for dancers and musicians alike. It allows us to express ourselves without constraint or judgement, which leads to emotional circulation and new pathways of creation. We unwind and relax, we let go; we create space, and in the space we find freedom.

The track below showcases Ryan’s live instrumentation on top of an electronic song. For more of Ryan’s music, visit his website ryanherrmusic.com.

Ecstatic dance is worldwide! To find a venue near you, visit the Ecstatic Dance website.

http://soundcloud.com/eye-ry/ayla-nereo-eastern-sun-ryan

Multi-instrumentalist Ryan Herr; photo by Mollie Hull; seenimagery.com
Multi-instrumentalist Ryan Herr; photo by Mollie Hull; seenimagery.com