My latest project is a collection of festival stories that take a fun and, sometimes, frightening journey into the fringe! All the stories are based on my true, lived experience. I’ve been compiling these for a few years, and I’m loving the way they’re coming together as a whole. I can’t wait to share some of these wild writings with you!
This collection is my second, coming after Varanasi Sage, which is comprised of true stories that honor our sacred existence and the ordinary miracles manifesting on earth. Varanasi Sage is available in audiobook, paperback, and ebook. Click here for more info!
I’m on the road to Burning Man, and according to tradition I’m sharing my intentions to amplify them. This year I’m doing something I’ve never done before: I’m taking an art installation! The project, Varanasi Sage, has consumed much of my waking life over the past few months, and I’ve gladly given that time. It has been a true challenge and learning experience, but it has also given my life more meaning and purpose. Plus, it helped me finish my first booklet! It’s already been a rewarding experience to create this art, and I’m looking forward to showing it off! I’ll also be giving away a limited number of my booklets as part of the installation.
Without further ado, my Burning Intentions:
Put my art into the hands of hearts who will love it
Face challenges with grace and ease, trusting my experiences
Connect with other artists in a meaningful way
Deepen into a gratitude practice
If you’re on the playa this year, I’m teaching my workshop Meditation & Writing MWF 10-11am at my camp Namaste & Chill located at 6:15 & D. I would love to see you there!
It’s time for Burning Man! The past two years, I’ve shared my intentions for the experience because writing intentions and having a witness strengthens their power. This post makes the third. Thank you for being my witness.
This year, I’m taking a new project — a meditation and lounge space I’ve been dreaming of for several years and fundraising for with many collaborators. May the Lounge be a sacred space of healing and connection; may it bring all who enter deeper into wholeness and unity.
I’m teaching my workshop, “Meditation and Writing,” three times this year: Monday, Wednesday and Friday 3-4 pm at Stellar Dusty Moon 5:30 & H (in the Lounge!). May the workshop serve us in the unique way that we need for our paths; may it provide us with insight, peace, and grounding.
My favorite part of Burning Man is the art — may I meet the artists and have profound experiences with the art.
May the workshops I attend guide me in my journey and connect me with others. May I see the heart of the earth in everyone I meet!
After a full day building camp, several friends formed a group to go out. Of course I wanted to join! I grabbed my necessities (headlamp, toilet paper, goggles, emergency champagne) and hopped on my bike. As we turned onto the esplanade, art installations rose from the dust as far as I could see. I lagged to catch glimpses of them as we passed. Art or friends? Art or friends? Curiosity pulled at me.
And then — we approached a pier.
Group mission be damned! This was the emptiest the playa would be for the rest of the week, and soon the pier would be crammed with tourists.
I stopped and put my feet onto the dust. I pulled the scarf off my mouth and called to my friends: “Guys! I’m stopping to look at art!” Either they didn’t hear me or didn’t care.
Except for Kitten, my faithful companion.
“I can’t keep passing art installations. It’s our first night out,” I looked towards our group; they had already blended in with the other blinking lights.
“We have all week to find music, but we only have a week to look at art,” Kitten dismounted his bike.
We stepped onto the pier. Nets and ropes hung between posts, hammocks swayed beneath the boardwalk. A long string of lights romanced me. I hooked my arm into Kitten’s.
The boards creaked under our footsteps — just like the old boardwalks I’ve wandered along in seaside towns. And for a moment, when I relaxed my eyes and looked up, it felt like we were at the sea. But looking down, seeing the dry lake bed below us, I thought of the sheer genius and manpower it must have taken to build this dock — from the concept to the design to bringing the materials and assembling them in the middle of nowhere without basic amenities like running water.
We arrived at the midway tower. We leaned in to view its inner intricacies. Some people were gathered on the upper level; I’d be willing to bet they were drinking whiskey.
“Want to go up?” Kitten asked.
“Not particularly.” I felt content looking inside the tower at the details that made it seem more like a relic than a modern piece of art. It gave me a sense of nostalgia for a time I knew only in turn-of-the-century novels. Antique photographs, compasses, hourglasses, bound books, and glass bottles — in all colors, sizes and shapes — the scene piqued my curiosity to touch and pick up the items. Every detail existed for exploration, a mystery to be revealed, a reverie in which to lose oneself. It was a living, breathing piece of art that transported us to a different time and place. The curiosity, the wonder of it all, put me back into the frame of mind of a child: everything was new and strange and deeply interesting.
On the other side of the tower, we found an antique desk — the kind in which the door to the main compartment folds down to become the writing surface. My literary heart skipped a beat.
“And what could be inside?” My curiosity whispered with glee.
When I opened it, I found the cubbies, that once may have organized papers and mail, were filled with antique glass bottles. How odd. I touched a few, pulling them out of the compartments and examining their details, trying to understand their riddle. And then — I found one that contained a piece of paper.
“A message in a bottle!” I gasped. I lifted it with awe. The bottle’s long, skinny neck was jagged at the top. “What kind of message do you think it is? Profound wisdom?”
I slowly put my index finger into the bottle, careful not to touch the toothlike edge, but my fingertip barely reached the paper. I pushed in a little more until the base of my finger rested against the pointed teeth. I could only move the paper around in circles along the side of the bottle. The shape of the neck made it impossible to drag the paper out.
“Don’t hurt yourself,” Kitten warned. “We are in the middle of nowhere and it’s dirty. You’ll want a working hand for the rest of the week.”
I sighed and pulled my finger out. “I’m just too curious.” I turned the bottle over and around, trying to see if I could read the message from the outside, but the paper was folded in half. Even more mysterious. I inverted the bottle and shook it, but the paper wouldn’t fall out.
“Oh well, let’s go,” Kitten said. “Slicing your finger is a bad way to start your Burn.”
“Let me try one more thing.”
I held the bottle so the paper was at the very base of the neck. I put my finger back in and pressed the paper firmly against the glass. It slid along the edge, I almost got it passed the base of the neck, but it slipped back.
“Leave it, come on, there’s a lot more to look at,” Kitten said. “There’s bottles everywhere. Just look at all these bottles over here.” He motioned to a couple of antique suitcases behind us with bottles on top of them.
“I have to know what it says!” I insisted. “I can’t just find a message in a bottle in a desk on the dock in the middle of the desert and just — walk away without knowing what it says! A message in a bottle at Burning Man. Who knows what it says? Maybe it’s written by the artist.”
I turned the bottle a little more, got my hand on the side with the shortest teeth and finally — I had the paper sliding up the neck and out of the bottle! I held it in my hand like it was a golden scroll of truth. “Yes!” I said to Kitten, my eyes wild with excitement.
I unfurled the paper and paused. I was hungry for the message I worked so hard to receive, but needed a deep breath. Delayed gratification.
“Come on, open it,” Kitten said.
I opened the paper.
I read it aloud: “Go Fuck Yourself.”
Kitten and I looked at each other and burst into laughter.
“Oh that is good,” I said as I caught my breath.
“We should’ve seen that coming,” Kitten smiled.
“A special message from the artist,” I joyfully mocked myself as I folded the message and rolled it back up. “A message just for me! How absurd.” I laughed as I placed the paper back in the bottle, making sure it was all the way in for the next person.“Well worth the effort, I say.”
“It couldn’t have been more perfect,” Kitten agreed.
I put the bottle back exactly where I found it and closed the desk.
Kitten and I continued our walk along the creaking pier to the very end. I looked out at the playa — illuminated art installations dotted the landscape — and I realized this pier was on an endless sea of wonder.
It’s late and I’m watching the newly-waxing moon set in the west. I’m driving through the mountains, en route to Black Rock City for Burning Man. This will be my third time participating in the art and music festival. Last year, I set intentions that mainly focused on my interactions with other people. And although they were extremely elevated, I saw and felt my intentions manifest in some of my experiences.
I’ve been humbled and challenged this past year — especially recently — and my intentions reflect my need for deep nourishment and reflection.
To share our intentions is to empower them. Please read mine below:
I intend to reestablish my relationship with my creativity; to fully engage with the art installations at the festival and allow myself to be inspired and motivated by them. I need to reset my relationship with my creativity in order to create for creation’s sake without the desire to be seen, popular or make money. This will afford me the freedom I need in my artistic pursuits. I must reconnect with my truth that God’s gift to me is my creativity and my gift back to God is using it.
I intend to be open to receiving the keys I need to enhance my productivity and fulfillment.
I intend to continue the process of letting go of the pain and hurt I hold onto by releasing the people and events from my heart that continue to cause me suffering.
This year, I would like to feel and witness the expansive love that is my true essence, so that I will know who I am.
I live at 2,500 feet on my aunt and uncle’s property and more often than not, snow in the forecast only brings disappointment; yet, one night a cold front descended, and at dawn, I awoke with the sun, and seeing a brilliant dusting on pine needles outside my window, I leapt from my bed and put on warm clothes. I luxuriated that morning, taking pictures of all the familiar sights that sparkled as if new.
Through our greatest luck, my mom planned a visit that day. I called her and told her to come immediately: “The snow won’t stick for long,” I said.
Sure enough, by noon, the snow had melted from the trees and only amoeba-shaped patches remained on north-facing hills.
“It’s too bad the snow’s gone,” I said to my mom after giving her a hug when she arrived.
“That’s ok, there was some on the drive up.”
“But you should have seen it,” I said. “Everything was at least 100 times more beautiful.”
“It’s beautiful enough,” she said, with her standard measured smile.
“Have you visited the snow this season?”
“No, you know I haven’t.”
“We should find some. I went on a hike through Rock Creek recently. There’s probably snow there. What do you think? Want to go?”
“Sure, but I don’t have snow shoes.”
“I have an extra pair.”
“OK. Do we need chains?”
“Probably, let’s buy some.”
“Have you ever put them on?”
“No, but it can’t be too hard.”
“Ok…” she looked at me skeptically.
We purchased chains and drove up the mountain. By the time we got to Nevada City, we saw snow on the ground. Highway 20 began a steep incline and my mom looked out the window at the snow, which thoroughly covered the ground and trees.
“I know it’s cliche,” she said. “But this is a winter wonderland.”
We pulled off the highway and wrapped down narrow roads to the trailhead.
“The car is sliding!” my mom exclaimed as we drove down a steep stretch.
“Not that bad,” I said, completely unfazed.
“I hope we don’t get stuck on the way up,” she said.
“We won’t get stuck,” I wasn’t worried, having never driven in the snow. “We’re on an adventure, mom! A glamsient adventure.”
“Whatever that means,” she said.
“You would know if you read my blog,” I joked.
We pulled into the empty parking lot — the best kind at a trailhead.
“Look mom, yours are the only footsteps,” I called when she walked in front of me.
“Yes!” she made S-curves to revel in the novelty.
It amazed me to see her frolic. She is often serious and reserved, but in the snow she hopped and scampered. Effervescence infused her spirit. She patted snow together in her bare palms.
“Don’t throw it at me!” I said.
She threw it at a tree trunk and flashed a smile that I hadn’t seen since before my grandma got pneumonia and died.
“Can you tell there’s a lot of damage here?” I asked.
“Yes, but it’s all beautiful under the snow.”
We came to a blockade — a large, fallen tree that stretched across the entire path.
“Should we turn back?” my mom wondered.
“I climbed over it the other day.”
When we got to the other side, she asked me, “is there snow on my head?”
She went under a branch and shook it. “How about now?” she laughed.
I laughed along with her. She threw more snowballs at trees. We laughed when she missed her targets.
“Last time we were here, Kitten said the falling trees and branches are because of the drought.”
“Oh, yes. The forest service estimates that 1 in 3 trees in Californian forests have died from the drought.”
“I think it’s an underestimate,” she said. “We will see more damage. It takes years for the forests to return to good health.”
We walked along the creek, a new scenery with the snow, completely different than it had been in the rain. I even lost the trail in one section, although I didn’t tell my mom.
“The aquifers are mostly depleted in California,” my mom continued. “Since the 1930s, big agriculture since has run them dry.”
“That’s sad, mom.”
“Fresno has sunk some 20 or 30 feet because the aquifers below the city are empty.”
“I didn’t know that. Now I guess those aquifers are ruined.”
“It’s almost unimaginable how much humans have changed the earth.”
“Greed and ignorance,” I said.
At the end of our walk, we put chains on my car’s tires. It only took a dozen tries, and constant reference of the instructions, but we did it!
We climbed the hill at a low speed until we arrived at the steepest slope. My Mom gripped her seat while I stepped onto the gas and the car wobbled through slush.
“Come on, little car!” My confidence bottomed out when I felt the car lose traction. I had no idea what I was doing and it was time to admit that to my mom.
But then — by some strange magic — the tires gripped and took us out of the churned up road. The car felt steady again, slowly progressing.
“We made it, Mom!” I said.
“Yeah,” she sighed, somewhat sarcastically as relief washed over her face.
The next morning, she wanted to leave early to avoid the San Francisco Bay Area traffic.
“You know how it gets,” she said.
“I just wish you could stay longer.”
“I noticed you have a few dead trees on the property,” she said.
“The pine trees?”
“Yes, the tops are brown. A sign of drought damage.”
“Do you remember the giant oak in the middle of the meadow last time you were here.”
She looked as if she were trying to recall her last visit.
“Doesn’t matter,” I said. “It fell last summer. Did I tell you that story?”
“I don’t think so.”
“One night, I was reading in my room and I heard Shadow making strange noises outside. I called his name a couple times out the window, but he kept going. So I went downstairs and opened the door to see what was going on and there’s Shadow on the fence, looking towards the meadow. I called his name and tried to get him to come in, but he just kept staring towards the meadow and making weird noises. I got kind of creeped out thinking maybe there was something or someone out there.
“I went inside and when I was halfway up the stairs, I heard this loud, cracking sound and then an enormous thud, which shook the whole house! For a second, I couldn’t move. My heart was beating so fast. I had to check outside, but I couldn’t see that anything changed. It was so dark out and I didn’t want to go past the porch.
“The next morning I went outside and, sure enough, the giant oak had split at it’s lowest branch — right down the middle. The top half of the tree was on the ground and the rest of the trunk remained standing like a jagged obelisk. Aunt Marika and Uncle Rick were shocked when I told them.”
“Another drought death.”
“I don’t know. It looked like there was a hole and some rotting where the tree split. It looked like insects had gotten in and then water went in the hole.”
“That’s the drought, for you. The tree becomes distressed when it’s not getting enough water, and bugs can burrow into it.”
“It’s natural defenses are down.”
We finished our breakfast and I walked my mom to her car. We hugged and said goodbye, thank you for visiting, thank you for having me, come again soon. We waved as she pulled away.
I turned to the meadow and walked to the remaining chunks of the giant oak. Looking at the thick, moss-covered cylinders, I remembered the oak’s grand stature, a living connection to the past. Surely it had been alive before the United States became a country. Seeing it now, in only a few chunks and pieces, the majority hacked up and hauled away by neighbors for firewood, I remembered my young cousin’s reaction when she saw the tree had fallen. She grew up on the property and knew the oak — felt it’s presence — by the time she could walk.
I recalled her devastation. While my Aunt and Uncle surveyed the damage, my cousin climbed into the tree from the top where it rested on the ground, and walked through its branches towards its base; her face spoke of when her father set up a swing on its thickest branch, and the times she climbed it and found refuge in its branches like a secret hideaway. When she was ready, she found a place to sit, her back to me. She leaned against a branch, now vertical, pointing to the sky. She wrapped her arms around it; I approached her, and heard as the memories spilled softly from her eyes.
Nostalgia washed over me as I drove into Los Osos at sunset. I pulled into my friend Nikki’s driveway; it was my first visit to her new home.
“I can’t believe I haven’t seen you since the Burn,” she said, giving me a hug.
“It’s been too long!” I agreed.
She hopped with excitement. “Come see my new place,” she walked me down a stone path. Succulents, feathers, and skulls decorated her entryway.
“This is my room,” she said as she walked through the door.
I looked around, first at a three-paneled stained glass window and then at the plants and ornaments on her windowsill beneath it. “I don’t think I’ve ever seen a stained glass this large in someone’s room. It makes your space feel holy.”
“I love sleeping here. It’s peaceful.”
Nikki showed me the rest of her house — pointing out the craft-style ceilings — and then walked to the large backyard with a view of the Pacific.
“I’m so glad you landed here,” I said. “This is exactly what you wanted to manifest months ago: privacy and a backyard.”
She smiled at me, “it’s perfect. I’m blown away by what I called into my life. And at an affordable price!”
We made tea and walked back into her room.
“I love this quirky town,” I said.
“It’s got it’s own thing going from the rest of the Central Coast. A lot of artists live here. You get things like this stained glass that you might not find elsewhere.”
“When I lived here I felt like I was in a vortex. I wouldn’t want to leave for days on end. I don’t know if it’s all the natural beauty or the dead-end streets or what –”
“Los Osos definitely has me in its vortex. I love it here,” Nikki said, making herself comfortable on a cushion. “I can’t picture myself living anywhere else right now.”
“That’s a wonderful feeling,” I said. “It shows you’re exactly where you’re meant to be.”
She sipped her tea. “Have you heard of the I Ching?”
“Yes, but I don’t know much about it.”
“I’ve been getting into it lately,” she said. “It started in ancient China and can be used as an oracle. I’ve been listening to a weekly interpretation by Bobby Klein and I’m finding his wisdom helpful for my daily life.”
“What is the latest?”
“He said we might be feeling unmotivated, lazy, and unproductive –”
I sighed. “I can relate! I want to write, I have ideas, but I can’t seem to sit and get them out. And when I do sit, I can’t seem to get them out in a way that pleases me.”
“See? It’s uncanny. I feel that way in a lot of areas in my life.”
“What’s the wisdom?”
“According to the reading, we can use ritual and ceremony to move past these kinds of blocks. And the energy we spend in that endeavor will translate into a bountiful harvest.”
“Have you tried it?” I asked.
“I have. In one way, for ritual, I’ve been waking up early and moving my body to put me in a positive, active mindset. And this window and the windowsill helps me create ceremony; I’m using it like an altar.”
I looked again at the colorful stained glass, reminiscent of religious art. “Is it working?”
“I think so. I’m definitely more positive and motivated, but I’ll know for sure when it’s time to harvest.”
Sweet Springs Nature Preserve
We woke up early the next morning to a sunny and warm fall day. After Nikki and I practiced yoga in her backyard, she went to school and I headed straight to Sweet Springs Nature Preserve, a 24 acre parcel of land neighboring the Morro Bay estuary.
Wind rustled through Eucalyptus leaves, producing an airy music and a pungent, menthol scent. Dirt paths and wooden bridges guided my feet to views of Morro Rock, the enormous volcanic plug considered sacred by the Chumash tribespeople. Crossing one bridge, I came upon a flock of mallard ducks quacking and bathing. Several benches dotted the one mile trail, but I sat on a fallen tree at the edge of the marshlands.
Listening to the Eucalyptus leaves and singing birds, I wondered how I could bring ceremony and ritual into my life to move past my creative blocks.
I saw a Blue Heron gliding on the air. A few moments later, a Snowy Egret came into view, stepping carefully through the estuary, catching its breakfast with quick stabs of its long beak.
To the west, a large, waning moon hung over the ocean. I walked towards it along a boardwalk. Soft waves coming in from the harbor joined the trees and birds in Nature’s song. A sandpiper walked along the water’s edge, poking its beak in the sand; in the distance, a Blue Heron stood in tall grasses and a Snowy Egret perched on a docking post.
Los Osos Oaks State Natural Reserve
As the day grew warmer, I drove east on Los Osos Valley Road to an 85 acre reserve, which is home to Chumash middens, ancient sand dunes, and three varieties of Oaks up to 800 years old. At the trailhead, I found a map and I planned my route — a loop that would encompass all three sections of the gentle trail.
At the first trail marker I became confused. It pointed in three directions (right, left and straight), but it was placed much further than the left-hand trail. I walked to the left, but questioned if I had chosen the trail I wanted.
Hesitation faded while I examined Beard lichen drooping from oak branches, but this section of the trail moved directly next to the road and the traffic distracted me from immersing in the forest; the noise was jarring compared to the otherworldly beauty of the oaks.
The path began splitting into what I assumed were local trails and deer paths. Which one was the “right” trail?
Turning a corner, I saw an enormous oak with wide-spread branches, twisting and turning, defying all patterns and rules. I approached the grand oak in awe of its divine, ancient presence, and when I moved under the furthest reach of her branches, the road suddenly went silent. For just a moment, it was only me and the oak.
As trails took me further from the road, noise faded into the peace of nature. Oak branches created natural benches for me to sit on and listen to the crows call and birds sing. Gazing into the forest, it seemed the branches formed a wild tapestry, building intensity by intertwining and crossing each other.
If only I could harness the vitality of the oaks in my writing. What could I possibly do to draw that force into my craft?
I continued on my way, guessing which path to take each time it splintered. Trails twisted and turned like the oak branches above them; I had to surrender to the randomness and chaos. I guessed my direction more than I was certain — I thought I was on a new trail until I came across a landmark and then I thought I was on a familiar trail until I saw something unusual. I felt like Alice in Wonderland, not knowing if I was here or there or lost or found, popping in and out of the forest onto the dunes.
Stepping onto the shrub-covered sand dunes, I had an areal view of the oak canopy. Butterflies fluttered before me in graceful arcs. I came across middens, which spoke of the site’s Chumash heritage, the indigenous people who lived in the area for millennia — from Prehistoric times until the 1700s when the Spanish settled.
By the end of the hike I felt grateful for the road because the sound gave me a sense of direction. Walking out of the reserve, I felt like the Los Osos vortex had sucked me in and swirled me beneath its oaks in a meandering dance.
Finishing my strange wanderings in the Oaks Reserve, Nikki and I met again for a walk in the El Moro Elfin Forest Natural Area. One of the most protected areas of Los Osos, the path is a complete, unified boardwalk and there are strict guidelines to keep visitors off the vegetation. This nature walk is great for strollers and people with disabilities — one entrance even has wheelchair access from the road.
Consisting of 90 acres with views of Morro Rock, the Elfin Forest is aptly named for the pygmy oaks, which are a variety of California Live Oak dwarfed by soft soil, mineral depletion, salt spray and constant wind. Despite their small stature, these pygmy oaks are 200-400 years old.
“I love being surrounded by oaks,” Nikki said. “I love feeling them and seeing them. They’re like dinosaurs.”
“There’s something majestic about oak trees,” I agreed. “It’s hard for me to say. It’s not just the moss or lichen or the wild branches. There’s an essence –”
“They’re the most energetically dense wood. That’s why people burn it. I imagine when they’re alive, there’s a strong field around them like they pulse with life.”
“We might not be able to see it, but we can feel it. Maybe that’s the Osos vortex. All the oaks together in clusters.”
“I love having oak forests a quick walk from my house.”
“That was my favorite part of living here, too. I miss it.”
We came to small clearing. Nikki set her bag down and began twirling her hoop.
“Hooping is another way I create ceremony and ritual in my life,” she said as the hoop orbed around her.
“I’ve been thinking about how to add ritual and ceremony into my life all day, actually.”
“When I’m hooping, I let myself drop into the flow of life. I focus on letting go of my thinking brain and it’s like I’m connecting with a divine energy. It’s hard to explain, but I think that’s how I’m able to manifest my desires. Letting go and creating a moving meditation.”
“I’ve heard meditation helps with manifestation because it’s a great way to be more positive and receptive to the divine. It puts us into our original, or natural state of being.”
“It allows us to just be with the divine. Something opens, something releases. And the divine rushes in. It’s nothing short of a miracle.”
While Nikki spun her hoop, I invited my mind to empty and become present.
We had to complete our walk because Nikki needed to do homework. I, on the other hand, got to finish my day with the crown jewel of Los Osos.
Montana de Oro State Park
Named after the glory of springtime wildflowers, Montana de Oro (Mountain of Gold) is at the end of the last road in Los Osos and is gorgeous every time of year. Stretching 8,000 acres, most of the land is completely wild.
I got out of my car at Spooner’s Cove to eat a picnic dinner with the sunset. Instead of watching it from the beach, I took a quick hike on the north bluff of the cove.
As I ate, gulls flew towards Morro Bay and waves crashed on the tide pools and rock formations below me.
I thought about my artistic vow and the bouts of resistance I encounter towards it. I want to be more productive, I want to write with more inspiration. So why am I standing in my own way? And what ceremony and ritual could I use to destroy these blocks?
I thought back to what Nikki said about getting into the flow with meditation.
I looked out at the ocean — powerful, deep, vast, mysterious. I timed my breath with her waves and set my focus there, clearing my mind. We moved together and suddenly I knew.
I touched the turquoise necklace I was wearing and had bought because turquoise is a symbol of clear mindedness, creativity, communication, and releasing blocks around self-expression.
When the sun dipped behind the fog bank at the horizon, I walked back to Spooner’s Cove. I approached the ocean with my hands on my heart. Everyone was leaving the beach since the sun had set, but I walked to the water with sincere reverence and intention. Pebbles crunched beneath my feet.
I walked to the water and she approached me as well, reflecting the colors of the sunset. Wispy clouds turned pink in the distance, but the sky above me was clear. Little bugs with large wings flew through the air like tiny angels.
I walked to the far right of the beach, which was entirely secluded. To the right, seaweed grew down the cliff and to the left, rock formations created a wall. Behind me, Islay Creek came from the depths of the Montana de Oro wilderness to meet the ocean. It was the perfect place for my ceremony.
“Dear Ocean — powerful and deep, beautiful, mysterious, a force unlike any other — people come from every corner of the earth to see You, to know You. You’re ever present, ever moving; You’re expansive, You stretch further than I could ever see; You inspire; You bring us peace; Your power creates awe in the most cynical and hardened hearts. You, Ocean, were my constant companion when I was a child, I grew up playing in Your waves; You are my home; now, even though I don’t live near Your shores, You still feel like home, close to my heart.
“Dear Ocean, bless my communication, bless this turquoise rock that I will dip into your waters; open my voice with Your power, Your strength, Your mystery, Your expanse, Your inspiration. You, dear Ocean, are considered a symbol of consciousness, the soul, and truth — imbue my voice with Your ineffable qualities that must be felt, heard, and experienced; fortify my voice with Your quality that sets deep into the soul and speaks to our ancient roots, as one of the first creations of life, the first creator of life. When I dip this turquoise into your water, bless my voice with Your power, Your strength, Your thundering waves, Your calm, Your peace, Your everlasting Spirit. Bless my voice, Ocean, deep, powerful Ocean, bless my voice.”
I took off my necklace and bowed to the water. I dipped the stone in her waves as they approached and put my hand in, too. I placed my hand on my throat and felt my pulse as the water dripped down to my chest and belly. I changed hands, prayed again, dipped the stone, touched my hand to the water and again to my throat. I clasped the pendant and felt it throb with power and vitality.
The little bugs flew around me and gulls passed silently in the distance.
I put my necklace back on and bowed to the ocean, waiting for her to come to me. She returned, so sweetly. With my hands in prayer, I placed them both in the water and put them back on my throat feeling the wave drip down my arms and chest.
“Amen,” I said, moving my hands to my heart.
The sky had turned to violet. I struggled to pull myself away from the ocean even though night descended upon us.
I step outside. The sun peeks around clouds to caress the world and welcome me. Unseen doves proclaim the beauty around us.
Dew rests on the earth; oaks stretch in wild formations. Brown leaves blanket the ground and young grasses grow amongst those that had died in summer. Moisture adorns foliage with drops that sparkle and glitter in the sun. Deer tracks tell me I am not the only one who walks this trail.
I take a deep breath; crisp, clean air fills my lungs. The distant scent of Linney’s wood-burning stove reminds me that only a few months ago a wildfire raged in these mountains.
I come to a clearing and see a flock of quail, each dressed with its own fancy spots, stripes and bobbling headpiece. They whistle as they run away on speedy legs.
I hear a crinkling sound and see California Towhee kicking up leaves to forage beneath them. As soon as I’m close, they fly away in perfect unison, their wings purring through the air.
Acorn Woodpeckers squawk and chuckle while they perch on tree trunks, wearing tuxedos and red caps, drilling holes and stuffing them with acorns. Their happy, gleeful chucking brings a smile to my face. They must be telling jokes to make work more fun.
Off the trail, a thick oak branch grows horizontally from its trunk. Seeing that it’s dry and free of insects, I hoist myself onto it, stretch out my legs and recline back. The tree holds me like I am lying in its arm.
Gazing into the canopy and up to the sky, I hear birds all around me. They rustle in leaves, they fly with fluttering wings. They sing, chirp, laugh, and coo. Each voice joins in one abundant song: the song of the forest.
I could lounge for hours on the tree branch listening, yet I know the forest does not sing for me. The forest needs no outside audience for its symphonies. It is a true and great artist: creating for creation’s sake, creating for itself.
If the forest is the ultimate artist, how do I compare? What happens when I am the only one who reads my writing?
I know the answer; I have felt it often. When I am my only audience, I get discouraged. I blame my voice — I call it awkward and uninteresting. My dream appears hopeless. My feelings keep me from putting words on the page.
The oak holds me like a mother.
“Show me the way,” I whisper. “How can I create like you?”
“Close your eyes,” she says.
Minutes pass and I begin noticing subtle layers of the song. A hawk calls from high. A frog croaks in the distance. A crow caws.
The forest tells me there’s room for every voice and contributors are never ashamed of their sound — it is the one they received at birth. They need not be melodic, gentle or harmonic to join the orchestra; they need only to be themselves. The song’s beauty is in its rich and vibrant variety. Each day it creates a new score without one thought of who will listen. The forest creates by design — without doubt or self-consciousness.
Opening my eyes, I look into the tree with new understanding and say, “I will add my voice to the forest’s song.”