Forest Song

[This story will appear in a collection of shorts for Varanasi Sage, due out July 1, 2019.]

I opened the door, welcomed by early morning light peeking around clouds, caressing the world. Unseen doves proclaimed the day’s arrival in trilling coos. Oaks stretched in wild formations. Brown grasses stood defiantly against their drought deaths. The distant scent of a wood-burning stove — a reminder of recent wildfires that stopped at the next ridge. Deer tracks in the dust said I was not the only one who walked the trail.

They carried a flash, a remembering from my youth, making eye contact with a doe. She led me past trees, through ferns and ivy to her fawn, chestnut with white spots, nestled in the grass. Vulnerable. The doe watched as I knelt beside her baby, as I touched its tiny head, unaware of the danger to its fragile life. 

Through oak trees, lichen drooped long from their branches, the filtered sun created irregular, glowing shapes on the forest floor. Branches and leaves formed a tapestry of life, thick with energy, magnifying their essence and intensity. I was just one small organism in the network of life.  An enormous oak whose wide-spread branches twisted and turned, defied all patterns and rules. I approached the grand dame in awe of her divine, ancient presence, and when I moved under her furthest reach, the forest suddenly went silent.

A covey of quail (dressed in fancy spots, stripes and bobbling headpieces) whistled as they ran on speeding legs. A crinkling — Towhee kicking up leaves, flying in unison on purring wings when I approached. Acorn Woodpeckers squawked, perched on tree trunks — wearing tuxedos and red caps — drilling holes, stuffing them. Their gleeful chucking like happiness on the wind. I passed a giant oak, split at it’s lowest, thickest branch — down the middle. The top half on the ground, the trunk standing a jagged obelisk, rotted at the split.

Around a bend, a rhythmic cascade, almost like dropping water. I stopped to listen, but couldn’t make out the sound.

Slowly and quietly I walked, listening without seeing the source. At the crest, down the shaded hill, 5 or 6 deer chased each other, leaping between trees. They moved in s-curves, criss-crossing, creating figure eights with narrow hooves, playing like children in the forest. Nearer and nearer, they were so absorbed in their chase they didn’t notice me. Closer and closer, astonished by the sight, as close as I could get on the trail.

Overzealous, I stepped off the path and my human feet crunched leaves. Without showing signs of seeing me, they bounded away in perfect time through the meadow. At the edge of the forest, an antlered male turned back to look at me — knowing me, beckoning me on. 

On the other side of the meadow, the deer had left no trace.

A thick oak with a large horizontal branch, an arm reaching, pulled me off the trail. I hoisted myself up, stretched my legs and reclined back. Cradled in her arm, I gazed past the canopy to the sky. Rustling, fluttering, croaking, squeaking, laughing, whistling, chattering, calling. Each voice joined in one abundant song.

I could have lounged for hours, held by the tree and listening; yet, the forest did not sing for me. Symphonies without need for an audience. A true artist: creating for herself. 

“Show me the way,” I whispered. “How can I create like you?”

Close your eyes.

Moments passed, my ears opened to subtle layers of the song. Singers unashamed of their sound they received at birth. Each day a new score created without doubt or self-consciousness. Each voice accepted exactly as it was — knowing it had a welcomed part.

Unwrapping the Varanasi Sage

I haven’t even begun building the Varanasi Sage art installation and I’ve already hit a bump! Watch this video to see what happened — it’s all part of the excitement! I’m sure there will be many more bumps in the journey, so I’ve got to get used to it!

For more about the meaning behind this project, read Introducing: Varanasi Sage.

 

Introducing: Varanasi Sage!

I am thrilled to introduce my first art installation that I have been designing, registering, and creating for Burning Man 2019! Check it out!

Custom-printed prayer flags create a pyramid around a fawn resting in a lotus flower, on a platform decorated with glyphs that convey a message: True wisdom belongs to the natural, non-human world. Each flag helps the participant dive deeper into the meaning of the piece, and one even has a guide to decode the glyphs. Lights illuminate the space and lights behind the lotus make the petals glow. A speaker within the platform plays sacred sounds. On the platform, a red button reads “Do Not Press.” A suggestion box below the fawn asks: “Why are you here?” A door in the back of the platform opens to reveal a zine stand, filled with zines written by me. These elements deepen communication and facilitates interaction with the curious.
A fawn does not belong in the desert, nor does it lay in lotus flowers, so it must be a magical, enlightened creature! And it’s smallness and vulnerability in a harsh environment make the participant feel compassion for the creature. Humans must choose not to destroy the natural, non-human world and instead revere it as the divine. These contradictions jar the participant, creating a sense of vulnerability, which encourage authenticity, tenderness, and the wisdom inherent compassion, harmony and gentleness.
In the spirit of this year’s theme, Varanasi Sage explores the reality that deep transformation can come from a place of peace. Even in the chaos of the playa, one can find peace. Varanasi Sage provides participants with a beautiful, peaceful place. People may feel overwhelmed or lost in deep playa — this is a refuge. It provides comfort and calm and shows that peace is always available.

via Varanasi Sage

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Burning Intentions 2018

It’s time for Burning Man! The past two years, I’ve shared my intentions for the experience because writing intentions and having a witness strengthens their power. This post makes the third. Thank you for being my witness.

This year, I’m taking a new project — a meditation and lounge space I’ve been dreaming of for several years and fundraising for with many collaborators. May the Lounge be a sacred space of healing and connection; may it bring all who enter deeper into wholeness and unity.

I’m teaching my workshop, “Meditation and Writing,” three times this year: Monday, Wednesday and Friday 3-4 pm at Stellar Dusty Moon 5:30 & H (in the Lounge!). May the workshop serve us in the unique way that we need for our paths; may it provide us with insight, peace, and grounding.

My favorite part of Burning Man is the art — may I meet the artists and have profound experiences with the art.

May the workshops I attend guide me in my journey and connect me with others. May I see the heart of the earth in everyone I meet!

Coming Soon: Glamsient, the Book!

During this winter season, I’m making the final push to complete my first book! I’m on track to have it finished in Spring.

In order to prepare the release, I’m taking time off from publishing work here. Check out photos from my current travels on Instagram http://www.instagram.com/glamsient

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Canyon Meditation

We chose not to look at the map and found what we believed was a path. As we walked, the forest seemed to hold us while birds sang its melody. We passed elk tracks preserved in dry mud and saw a tree that had been used as an antler scratching post. I wished I could walk without knowing our destination.

Upon hearing human voices speaking languages from all over the world, we knew we were close — and suddenly — the forest opened.

A magnetic pull from my heart led me to the canyon rim as though I were under enchantment. My body shook with adrenaline. Before me, a chasm ripped the earth and rocky, layered peaks formed colorful monuments, temples, pyramids, and fortresses. Spires and pillars rose from the ground like giants. Greater and larger than Stonehenge, than Chichen Itza, than man could ever be.

Nature’s chisel wielded by the Great Artist etched walls with shadowy crags and adornement. Creation coalescing into wonder from nearly two billion years of both violent and gradual evolution written in the rock. Lava and mud spreading and widening the canyon carved by wind and water, plateaus rising, glaciers melting, the continent crashing into volcanoes and making mountains. Erosion — pushing, pulling, forming megaliths and smiles that become wings of expanded freedom. A testament to my limited, human experience.

The river deepens the canyon as she moves to the sea — her former grandeur evidenced in decorated cliffs — she is now a mere trickle of what she must have been before dams and reservoirs closed her veins like tourniquets.

The Artist exhibits the freedom to transform, to shift — to evolve into beauty, into living inspiration.

Even with their loud voices, the other tourists don’t bother me. The vastness is large enough for us all. So large that I sense I can give all the heaviness of my heart to the canyon. All the pain of memories and attachments can release. And my heart will become expansive; my heart and the canyon will merge into one, magnetized like the continent and crashing into volcanoes. If I let it fall, it will tumble into the river and be swept away to the ocean. I can let it go — I can give it all to the One who is capable of transfiguration.

I hear the wind before I feel her. She comes up from the canyon depths and brushes my face. I feel the coolness of her touch. She is a whispering echo saying, “hush.”

Crows fly with feathers straight and light in the space between earth and sky. Above the canyon, below stars. Small, yet fearless. As we must be.

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Sierra Hot Springs

The edge of a summer storm passed overhead breaking the monotony of blue sky. Patches of clouds cast temporary shade as they moved, releasing a misting drizzle, which fell upon us like a celestial blessing. Birds sang the glory of the day.

Stephanie and I relaxed in the large pool. She rested her head against the cement lip and closed her eyes; I faced away to look beyond the deck and view the Sierraville Valley.

People populated reclining chairs, others floated and bobbed in the pool. Stephanie and I were the only ones wearing bathing suits. 

Stephanie hadn’t spoken much since we left the silent dome and the hot pool it contained, but it didn’t bother me. I remembered my first time in the dome and the reverent silence that settled into my heart and mind as I slipped into a profoundly easy meditation facilitated by the heat of the tub, the arhythmic sound of water dripping into the two cold plunges, and the stained glass window — a woman resembling at once the Virgin Mary and Venus de Milo, pouring light into the waters through her outstretched hands. 

I looked to Stephanie; her face, perfectly serene, took on an ancient quality as if her soul had known this place years ago. 

Her visage made me want to rest my head against the cement lip, too, so I turned around. Just as I did, I saw a woman, floating on foam noodles — one under her shoulders, the other under her knees — as if she were in a chair. The woman’s eyes were closed, and like Stephanie, she hadn’t a care in the world. She could not see that her legs, spread in blissful comfort, moved towards the edge of the pool putting her naked groin on a direct trajectory for Stephanie’s face.

I poked Stephanie. She opened her eyes slowly until she realized a woman’s crotch was heading for her. 

With only a few giggles, Stephanie moved out of the way, and broke her silence: “want to check out the meadow pool you were telling me about?”

“Sure!”

We got our towels and walked onto the path. Pine trees filtered the sunlight into complex patterns on the ground.

“I love it here,” Stephanie said.

“Natural beauty and healing waters. What’s not to love?”

“Well,” she emphasized, “there is only so much hoochie coochie in my face that I can take.”

I laughed and then saw two porcelain tubs, just off the trail, nestled in the grass. They each had their own stream of hot water flowing into them from the ground. “Look at these, Steff! Here’s your solution!”

“We have to get in them,” she exclaimed. “How is this real?”

“Real magic,” I said.

We sat for a while, breathing in the novelty of relaxing in a bathtub on a mountainside, but we wanted to sit together and talk, so we continued our quest for the meadow pool. 

“I’m glad we sat in the secret tubs. The secret-not-secret tubs. They’re just right off the path, but they’re easy to miss,” I said.

“Everyone walks by, but not everyone sees,” Stephanie said. “I prefer that kind privacy, like the dome because nobody talks.”

“I was here one night and people were talking in there. I didn’t like that because it affected the depth of my meditation.”

Our feet crunched the path, adding a layer to the birds’ song.

“The big pool was a little extreme for me. I’ve never really been around that much nudity.”

“Oh, I didn’t know that.” 

“It was too much at once — naked people almost running into me with their parts. It happened twice. Once was a hoochie coochie and the other was titties.”

“Every time you close your eyes they come for ya, huh?” I joked.

“Seemed like it.”

We passed the white, Victorian Lodge built in 1870. Red poppies brightened the hillside.

“That hot pool, though,” Stephanie said. “It’s hard to explain what I felt. It was like pure energy. I felt a pulse — like a vibration.” 

“Because it’s so hot and the bottom is sand, I close my eyes and lose the feeling of having a body. It’s like my body becomes the water. Must be the closest thing to being in the womb.”

“It did feel like that! And that’s exactly how I felt when we were looking at the grass earlier. I had an out-of-body experience — a supreme oneness, like I was the wind.”

“Wow. Transcendental,” I looked to my left over the wide valley and the surrounding Sierra Nevada mountain range. “You’re so zen you don’t even need the dome.”

“A lady was crying in there.”

“I didn’t notice.”

“She was standing in one of the cold tubs with her face to the wall when we went in.”

“Oh, did she have her hand on the wall?”

“Yes. The dome felt like a place to…” 

“Open and release?”

“That’s how I felt. Completely safe. It was powerful. Every detail. The tiles, the wood, the stained glass. So natural and peaceful and somehow familiar.”

“I felt a release, too,” I said. “Before we walked in there I was angry about what was going on with work. I was thinking about it a lot.”

“I could tell you were trying not to, but you really were lost in thought.”

“But after going in the hot water and spending time in the dome, I feel like I released everything. Now I’m just kinda…dancing on the inside. Like I’m free.”

“Freedom is dancing on the inside. That could be your new motto,” she said as she looked at the trees who grew above us like guardians. “I like all the moss that’s growing.”

“I love mossy trees. And all the tall, lush grass,” I paused my step. “You know, earlier, when we were looking at the grass?”

“Yeah.”

“I was definitely lost in thought, thinking about that email. And you pointed to look out at the valley and the grass in the wind and there was a blue jay on a branch. That brought me back to the present moment and helped me let go.”

“That was it. ‘Come back. Come back,’ I was saying. I had that moment of oneness, but I knew how you were feeling, so I was like ‘hey, don’t forget to look around you and be here.’”

I breathed deeply, “next time I’m having a bad day I’m just going to come here.”

“Seriously. It’s so important to walk out. I feel the same in a lot of ways. You’re not alone.”

We approached the meadow pool and to our surprise, found we had the space to ourselves. A small tree grew behind boulders at the edge of the meadow. Purple irises bloomed in stately elegance. Flowers and leaves floated on the surface of the clear, blue water; we stepped in like queens. Our toes pressed into the soft, sandy floor.  

“I think I’m in the most beautiful place in the world,” Stephanie whispered.

“We’re in Faerlyland,” I said. “You know you’ve fully arrived in Faeryland when you come to the meadow pool and there’s mint and flowers floating in its waters.” 

“You described it like heaven when we were driving up here. And it really is.”

A wooden totem pole watched over the glistening water, speaking without words of the wildlife and civilization that lived in the valley before it was named Sierraville.  

“I love this aspen tree right here and the way the leaves flutter in the wind,” I said. “It reminds me of a wind chime my grandma had in her backyard. It was made out of thin, round, pearlescent shells. She had a lot of wind chimes, but I loved that one the most when I was a kid.”

“I know what you’re saying. Your grandma-angel is here. The Great Spirit is here.” 

I caressed the top of the water with my fingertips, creating swirling ripples. Birds sang from the trees in high tweets and whistles, forming the cadences and melodies of an unplanned symphony while clouds continued their slow and easy migration across the sky. 

 

I Come Back to Myself

Thoughts pour in; they swirl, forming a current, pulling more thoughts into the depths, growing tumultuous. They darken and become dangerous. I am caught, swept in by the undertow. 

It’s loud and I can’t escape. I try to distract myself with other people’s stories, but more words and information makes it worse. I resent the people on the other side of the screen.

I say to myself, “wherever you go, there you are,” but I start my car anyway.

Outside city limits, traffic thins until I am alone on the road. I slow my pace, enjoying the view: farmhouses, oak trees, cattails growing from wet earth. I crest over a bend to see a wide open sky and rolling hills. A lake rests between peaks. 

I arrive at the Buttermilk Bend trailhead. Signs announce Wildflower Tours at 11:00 am. It’s evening now, but I know I’m in the right place. I step onto the trail; the noise inside my head fades, replaced by the sound of the blue green river. 

The Yuba rushes below me, through a valley she’s carved between foothills. I look into her. I see myself in her water; I am made of her, but she is greater than I. She is a force of life — mother to creation. She brings me back to myself, calling to her essence within my veins. I am not the dark and stormy waters of my mind; I am the observer of a free flowing river.

The trail follows the river’s path. We turn together. Curiosity ebbs and flows with the bends. Wildflowers line the path in blues, yellows, whites, purples, reds. They are compact, expansive, delicate, broad, intricate, simple, in boxes and in circles, fragrant and without scent. 

My plugged-in lifestyle, the one that makes my head loud, is like eating plastic information out of plastic bags; I scroll through photos that have been altered; I read inane comments; I watch videos of people pretending; I question every news article, every statement; the part of my life that is lived through squares plugged into outlets makes me forget my true nature. 

Wildflowers are a simple joy. When I see them, I feel a softening in my heart, a growing tenderness, an up-swelling of pleasant emotion.

The river sounds like the river primordial. It speaks the language of my soul. It washes my mind of the chaos and clutter I’ve accepted into it.  

Nothing to plug in, no buttons to push, nothing to sell or buy.

Amongst the wildflowers, next the river, I come back to myself — the pure, unaltered state of breathing and living.


    

The Broken Pot

The night before I left town, I needed to clean my house. I hate returning to a mess because it doesn’t feel restful, and the last thing I want when I get home is to feel like I have chores to do. 

Luckily, my house is fairly-tiny, and doesn’t take long to clean. I started with bathroom and then the kitchen, finishing with the floors. Everything was complete when I vacuumed my tiny living room. Except I quickly dusted my piano, realizing it was overdue, and repositioned the plants upon it.  

Satisfied with my clean home, I took a break to eat snacks before my next chore: packing. Both of my cats were downstairs with me. Sterling, a big, fat, fluffy cat laid next to the front door, which I had opened to bring in fresh air. A thin, transparent, gold curtain in the doorway kept the bugs out. My older, dominant cat, Shadow, sauntered past me towards the door. Like an arrogant king, he paused to look down at Sterling, who did not make eye contact.

Shadow sat just beyond the gold, transparent curtain and faced himself directly at Sterling. Only the thin veil separated the two, extra-large males. I barely noticed Shadow’s confrontational posture until Sterling was growling. He carried on for a few moments before I looked up from my phone and asked “what’s going on here?” 

As soon as I spoke, Sterling moved quickly and low to the ground. He stopped at the door behind me, which led to his cozy, safe space. He pawed at the door, trying to pry it open. 

I crouched next to him, inadvertently blocking him into a corner. “It’s ok,” I said. “You don’t have to leave. I’m not angry.” I pet him, but did not open the door. 

He breathed quickly, his agitation intensifying. He cowered beneath my touch. “Hey, it’s ok,” I placed my hand on his belly and gave him a rub. His eyes widened, his pupils dilated. “What’s up with you?” 

I heard the floor creak. I turned, surprised to see Shadow right behind me. I reacted with a slight jolt. Sterling clamored to his feet, scratching at the floor with his claws. He bolted to the piano as fast as his fat body could take him. He leapt with fear, not looking where he was going, and found himself face-to-face with one of the potted plants.

I watched as his claw caught the lip of the saucer beneath the pot. “Oh Shit!” I exclaimed as Sterling fell backwards and the pot banged deep bass notes, echoing my expletive, before crashing to the ground, breaking and flinging dirt across the floor.

For a split second, looking at the broken pot and the brand-new mess, I had to make a choice. 

I chose to be OK with what just happened. I chose to accept it, even though I had just finished cleaning the house and still had to pack and get organized; even though it didn’t feel OK, I chose to accept it with an understanding that it was OK.

I looked at the broken pot and the dirt on the floor. I looked at the little pile of dirt on the piano keys, the shards of pottery on top of the mound. I looked at the rug I inherited from my Grandmother, scrunched up where Sterling launched off it. In a way, the scene was aesthetically pleasing. Everything was beautifully chaotic, organically placed; it was an artistic expression of gravity and physics that no human could possibly recreate.

I kneeled beside the plant and stroked its narrow leaves — for at least a year it needed repotting, it had grown large and looked cramped. There also hadn’t been enough soil in the pot, but the plant was healthy and so the task never made it onto my to-do list. “Now’s your time,” I said. 

I picked up the plant and the shards of pottery; I shook out the rug and cleaned off the piano. I moved with acceptance — maybe even contentment — and did not feel one twinge of irritation, resentment or anger.

With the plant repotted and the room clean again, I sat back and considered my reaction. Not too long ago, I may have cursed the sky for giving me wacko cats and grumbled as I fixed everything. Where did this deep sense of equanimity come from?

It could only be my yoga practice. I began yoga teacher training at the beginning of the year and have been learning the principles, philosophy and energetics of yoga. According to yoga, personality is a process, and we can evolve to a higher ideal. Left to itself, the mind repeats in cycles, yet with the power of our will we can retrain the mind and reshape ourselves. In this instance, I was not the woman who would curse the sky and get red in the face; I was the woman who picked up the pieces with a calm, knowing smile.

I recalled my teacher, Kelly Golden’s words at the end of every class, “the real practice of yoga begins when you step off the mat and into the world.”

Yoga teaches that discernment is the pinnacle of our spiritual practice. Everyday we make choices and the true practice of yoga helps us choose what is highest and best. In this instance, my practice allowed me to choose acceptance and peace. 



Rock Creek Wisdom

I recently purchased Hank Meal’s, The River, a local’s guide to hiking trails surrounding the Yuba River. On a rainy afternoon, my friend, Kitten, and I got cabin fever; we opened Hank’s book and chose the Rock Creek Nature Trail (located in the Tahoe National Forest) as our tonic. Once the site of a lumber mill, Hank described this one-mile loop as an easy and accessible trail that meanders beneath 11 varieties of trees and alongside Rock Creek.

“Looks like we have the place to ourselves,” I beamed when we pulled into the empty parking lot.

The ground was completely saturated — water pooled around our every footstep. Light rain floated to earth, accompanied by large, sporadic drops falling from tree branches, tapping an intricate percussion on land and water. The creek rushed past us, beckoning us onwards.

“Look at all this debris,” Kitten said. “These recent storms have been brutal!” 

“The other day, I saw a group prayer going around Facebook asking for the storms to be gentle on the forests, and I don’t know how I feel about that.”

“Why?”

“California needs water. I’m not eager to pray the rain stops.”

A stream carved its way down the hillside and onto the path, turning the path into a waterway and making us walk along its edge. Branches, leaves, and pine needles littered the area, and the Rock Creek Trail felt less like a nature walk and more like a rugged adventure, like we were the first explorers. At one point, we had to climb over a large, fallen tree.

“All this damage is from the drought,” Kitten said. “Tree roots retract closer to the trunk and become less dense. And the branches die. So when a big storm hits, it uproots trees and branches fall.”

“Makes sense.”

“Now I bet this will be a tinderbox in summer — this and every other forest in California.”

“Let’s hope not! If we get enough rain, the dead stuff will get mushy and become fertile. With fewer trees and branches blocking out the sun, new life will grow. Regeneration is one of the most incredible aspects of nature, in my opinion. Didn’t the guidebook say this land was harvested for timber not long ago? I wonder what that looked like!”

“I hope we get the rain, too, of course. Shame if it burns. I’d rather see the land heal.”

“Did you know illegal campfires start a lot, if not most, of California’s forest fires? The drought makes everything dry, but it’s singular humans messing up on top of that.”

“Hitting Nature from both sides: the macro and the micro.” 

We passed what Hank described as a relaxing welcome bench, knocked out of the ground and thrown on its back.

“I’m ready for all humans to live in harmony with Nature.”

“Now that’s a good prayer.”

We stopped to inspect a fallen tree. It made a sturdy bridge over the creek and it’s roots were exposed in an unchanged unit, still holding rocks they had grown around.

“This makes me think of my inner work,” I said, ducking beneath a branch.

“What do you mean?” Kitten asked.

“Self-reflection can sometimes hurt. After a long period of unconsciousness or trauma, like a drought, the medicine of awareness can feel destructive — it’s painful to look on all aspects of myself — lessons can be hard, truth can hurt. Guilt, disappointment, shame, and anger surface. And when that happens, it feels like I’m being destroyed. Like my guts are being ripped out or my heart torn apart.”

Water cascaded down the creek bed over rocks and debris, navigating curves, eddies and pools.

“I think the commitment,” I continued, “is to give myself sustained compassion, like rain, so that which has been knocked over can become the fertile grounds for new life — or a bridge to enlightenment. To continually give myself compassionate attention and embrace myself instead of pushing myself away — that is the way.”

“I see. If you have the painful, seemingly-destructive insight and you don’t follow it up with compassion, it’ll catch on fire and consume you when someone starts an illegal fire,” Kitten said.

“Definitely.”

We crossed a wooden bridge before we completed the loop. Birds sang from the moss-covered trees, while a soft and steady drizzle, almost a mist, enveloped the forest.