A Day in Los Osos

Nostalgia washed over me as I drove into Los Osos at sunset. I pulled into my friend Nikki’s driveway; it was my first visit to her new home.
“I can’t believe I haven’t seen you since the Burn,” she said, giving me a hug.
“It’s been too long!” I agreed.
She hopped with excitement. “Come see my new place,” she walked me down a stone path. Succulents, feathers, and skulls decorated her entryway.
“This is my room,” she said as she walked through the door.
I looked around, first at a three-paneled stained glass window and then at the plants and ornaments on her windowsill beneath it. “I don’t think I’ve ever seen a stained glass this large in someone’s room. It makes your space feel holy.”
“I love sleeping here. It’s peaceful.”
Nikki showed me the rest of her house — pointing out the craft-style ceilings — and then walked to the large backyard with a view of the Pacific.
“I’m so glad you landed here,” I said. “This is exactly what you wanted to manifest months ago: privacy and a backyard.”
She smiled at me, “it’s perfect. I’m blown away by what I called into my life. And at an affordable price!”
We made tea and walked back into her room.
“I love this quirky town,” I said. 
“It’s got it’s own thing going from the rest of the Central Coast. A lot of artists live here. You get things like this stained glass that you might not find elsewhere.”
“When I lived here I felt like I was in a vortex. I wouldn’t want to leave for days on end. I don’t know if it’s all the natural beauty or the dead-end streets or what –”
“Los Osos definitely has me in its vortex. I love it here,” Nikki said, making herself comfortable on a cushion. “I can’t picture myself living anywhere else right now.”
“That’s a wonderful feeling,” I said. “It shows you’re exactly where you’re meant to be.”
She sipped her tea. “Have you heard of the I Ching?”
“Yes, but I don’t know much about it.” 
“I’ve been getting into it lately,” she said. “It started in ancient China and can be used as an oracle. I’ve been listening to a weekly interpretation by Bobby Klein and I’m finding his wisdom helpful for my daily life.”
“What is the latest?”
“He said we might be feeling unmotivated, lazy, and unproductive –”
I sighed. “I can relate! I want to write, I have ideas, but I can’t seem to sit and get them out. And when I do sit, I can’t seem to get them out in a way that pleases me.”
“See? It’s uncanny. I feel that way in a lot of areas in my life.”
“What’s the wisdom?”
“According to the reading, we can use ritual and ceremony to move past these kinds of blocks. And the energy we spend in that endeavor will translate into a bountiful harvest.”
“Have you tried it?” I asked.
“I have. In one way, for ritual, I’ve been waking up early and moving my body to put me in a positive, active mindset. And this window and the windowsill helps me create ceremony; I’m using it like an altar.”
I looked again at the colorful stained glass, reminiscent of religious art. “Is it working?”
“I think so. I’m definitely more positive and motivated, but I’ll know for sure when it’s time to harvest.”

Sweet Springs Nature Preserve
We woke up early the next morning to a sunny and warm fall day. After Nikki and I practiced yoga in her backyard, she went to school and I headed straight to Sweet Springs Nature Preserve, a 24 acre parcel of land neighboring the Morro Bay estuary. 
Wind rustled through Eucalyptus leaves, producing an airy music and a pungent, menthol scent. Dirt paths and wooden bridges guided my feet to views of Morro Rock, the enormous volcanic plug considered sacred by the Chumash tribespeople. Crossing one bridge, I came upon a flock of mallard ducks quacking and bathing. Several benches dotted the one mile trail, but I sat on a fallen tree at the edge of the marshlands.   
Listening to the Eucalyptus leaves and singing birds, I wondered how I could bring ceremony and ritual into my life to move past my creative blocks. 
I saw a Blue Heron gliding on the air. A few moments later, a Snowy Egret came into view, stepping carefully through the estuary, catching its breakfast with quick stabs of its long beak.
To the west, a large, waning moon hung over the ocean. I walked towards it along a boardwalk. Soft waves coming in from the harbor joined the trees and birds in Nature’s song. A sandpiper walked along the water’s edge, poking its beak in the sand; in the distance, a Blue Heron stood in tall grasses and a Snowy Egret perched on a docking post.

Los Osos Oaks State Natural Reserve 
As the day grew warmer, I drove east on Los Osos Valley Road to an 85 acre reserve, which is home to Chumash middens, ancient sand dunes, and three varieties of Oaks up to 800 years old. At the trailhead, I found a map and I planned my route — a loop that would encompass all three sections of the gentle trail. 
At the first trail marker I became confused. It pointed in three directions (right, left and straight), but it was placed much further than the left-hand trail. I walked to the left, but questioned if I had chosen the trail I wanted. 
Hesitation faded while I examined Beard lichen drooping from oak branches, but this section of the trail moved directly next to the road and the traffic distracted me from immersing in the forest; the noise was jarring compared to the otherworldly beauty of the oaks. 
The path began splitting into what I assumed were local trails and deer paths. Which one was the “right” trail?
Turning a corner, I saw an enormous oak with wide-spread branches, twisting and turning, defying all patterns and rules. I approached the grand oak in awe of its divine, ancient presence, and when I moved under the furthest reach of her branches, the road suddenly went silent. For just a moment, it was only me and the oak.
As trails took me further from the road, noise faded into the peace of nature. Oak branches created natural benches for me to sit on and listen to the crows call and birds sing. Gazing into the forest, it seemed the branches formed a wild tapestry, building intensity by intertwining and crossing each other. 
If only I could harness the vitality of the oaks in my writing. What could I possibly do to draw that force into my craft?
I continued on my way, guessing which path to take each time it splintered. Trails twisted and turned like the oak branches above them; I had to surrender to the randomness and chaos. I guessed my direction more than I was certain — I thought I was on a new trail until I came across a landmark and then I thought I was on a familiar trail until I saw something unusual. I felt like Alice in Wonderland, not knowing if I was here or there or lost or found, popping in and out of the forest onto the dunes. 
Stepping onto the shrub-covered sand dunes, I had an areal view of the oak canopy. Butterflies fluttered before me in graceful arcs. I came across middens, which spoke of the site’s Chumash heritage, the indigenous people who lived in the area for millennia — from Prehistoric times until the 1700s when the Spanish settled.
By the end of the hike I felt grateful for the road because the sound gave me a sense of direction. Walking out of the reserve, I felt like the Los Osos vortex had sucked me in and swirled me beneath its oaks in a meandering dance.     

Elfin Forest
Finishing my strange wanderings in the Oaks Reserve, Nikki and I met again for a walk in the El Moro Elfin Forest Natural Area. One of the most protected areas of Los Osos, the path is a complete, unified boardwalk and there are strict guidelines to keep visitors off the vegetation. This nature walk is great for strollers and people with disabilities — one entrance even has wheelchair access from the road. 
Consisting of 90 acres with views of Morro Rock, the Elfin Forest is aptly named for the pygmy oaks, which are a variety of California Live Oak dwarfed by soft soil, mineral depletion, salt spray and constant wind. Despite their small stature, these pygmy oaks are 200-400 years old. 
“I love being surrounded by oaks,” Nikki said. “I love feeling them and seeing them. They’re like dinosaurs.”
“There’s something majestic about oak trees,” I agreed. “It’s hard for me to say. It’s not just the moss or lichen or the wild branches. There’s an essence –”
“They’re the most energetically dense wood. That’s why people burn it. I imagine when they’re alive, there’s a strong field around them like they pulse with life.”
“We might not be able to see it, but we can feel it. Maybe that’s the Osos vortex. All the oaks together in clusters.”
“I love having oak forests a quick walk from my house.”
“That was my favorite part of living here, too. I miss it.”
We came to small clearing. Nikki set her bag down and began twirling her hoop.
“Hooping is another way I create ceremony and ritual in my life,” she said as the hoop orbed around her.
“I’ve been thinking about how to add ritual and ceremony into my life all day, actually.”
“When I’m hooping, I let myself drop into the flow of life. I focus on letting go of my thinking brain and it’s like I’m connecting with a divine energy. It’s hard to explain, but I think that’s how I’m able to manifest my desires. Letting go and creating a moving meditation.”
“I’ve heard meditation helps with manifestation because it’s a great way to be more positive and receptive to the divine. It puts us into our original, or natural state of being.”
“It allows us to just be with the divine. Something opens, something releases. And the divine rushes in. It’s nothing short of a miracle.”
While Nikki spun her hoop, I invited my mind to empty and become present. 
We had to complete our walk because Nikki needed to do homework. I, on the other hand, got to finish my day with the crown jewel of Los Osos.

Montana de Oro State Park
Named after the glory of springtime wildflowers, Montana de Oro (Mountain of Gold) is at the end of the last road in Los Osos and is gorgeous every time of year. Stretching 8,000 acres, most of the land is completely wild. 
I got out of my car at Spooner’s Cove to eat a picnic dinner with the sunset. Instead of watching it from the beach, I took a quick hike on the north bluff of the cove. 
As I ate, gulls flew towards Morro Bay and waves crashed on the tide pools and rock formations below me. 
I thought about my artistic vow and the bouts of resistance I encounter towards it. I want to be more productive, I want to write with more inspiration. So why am I standing in my own way? And what ceremony and ritual could I use to destroy these blocks?
I thought back to what Nikki said about getting into the flow with meditation. 
I looked out at the ocean — powerful, deep, vast, mysterious. I timed my breath with her waves and set my focus there, clearing my mind. We moved together and suddenly I knew.
I touched the turquoise necklace I was wearing and had bought because turquoise is a symbol of clear mindedness, creativity, communication, and releasing blocks around self-expression.
When the sun dipped behind the fog bank at the horizon, I walked back to Spooner’s Cove. I approached the ocean with my hands on my heart. Everyone was leaving the beach since the sun had set, but I walked to the water with sincere reverence and intention. Pebbles crunched beneath my feet.
I walked to the water and she approached me as well, reflecting the colors of the sunset. Wispy clouds turned pink in the distance, but the sky above me was clear. Little bugs with large wings flew through the air like tiny angels.
I walked to the far right of the beach, which was entirely secluded. To the right, seaweed grew down the cliff and to the left, rock formations created a wall. Behind me, Islay Creek came from the depths of the Montana de Oro wilderness to meet the ocean. It was the perfect place for my ceremony.
“Dear Ocean — powerful and deep, beautiful, mysterious, a force unlike any other — people come from every corner of the earth to see You, to know You. You’re ever present, ever moving; You’re expansive, You stretch further than I could ever see; You inspire; You bring us peace; Your power creates awe in the most cynical and hardened hearts. You, Ocean, were my constant companion when I was a child, I grew up playing in Your waves; You are my home; now, even though I don’t live near Your shores, You still feel like home, close to my heart. 
“Dear Ocean, bless my communication, bless this turquoise rock that I will dip into your waters; open my voice with Your power, Your strength, Your mystery, Your expanse, Your inspiration. You, dear Ocean, are considered a symbol of consciousness, the soul, and truth — imbue my voice with Your ineffable qualities that must be felt, heard, and experienced; fortify my voice with Your quality that sets deep into the soul and speaks to our ancient roots, as one of the first creations of life, the first creator of life. When I dip this turquoise into your water, bless my voice with Your power, Your strength, Your thundering waves, Your calm, Your peace, Your everlasting Spirit. Bless my voice, Ocean, deep, powerful Ocean, bless my voice.”
I took off my necklace and bowed to the water. I dipped the stone in her waves as they approached and put my hand in, too. I placed my hand on my throat and felt my pulse as the water dripped down to my chest and belly. I changed hands, prayed again, dipped the stone, touched my hand to the water and again to my throat. I clasped the pendant and felt it throb with power and vitality. 
The little bugs flew around me and gulls passed silently in the distance.
I put my necklace back on and bowed to the ocean, waiting for her to come to me. She returned, so sweetly. With my hands in prayer, I placed them both in the water and put them back on my throat feeling the wave drip down my arms and chest. 
“Amen,” I said, moving my hands to my heart. 
The sky had turned to violet. I struggled to pull myself away from the ocean even though night descended upon us.

Mallard ducks in Sweet Springs
The fallen tree I used as a seat
Snowy Egret in the Estuary, Morro Rock in the distance
Los Osos Oaks Natural Reserve



A common sight in Los Osos
Spooner’s Cove

Evidence of a Chumash Midden
The beach at Spooner’s Cove
The perfect place for my ceremony

The Forest’s Song

I step outside. The sun peeks around clouds to caress the world and welcome me. Unseen doves proclaim the beauty around us. 
Dew rests on the earth; oaks stretch in wild formations. Brown leaves blanket the ground and young grasses grow amongst those that had died in summer. Moisture adorns foliage with drops that sparkle and glitter in the sun. Deer tracks tell me I am not the only one who walks this trail. 
I take a deep breath; crisp, clean air fills my lungs. The distant scent of Linney’s wood-burning stove reminds me that only a few months ago a wildfire raged in these mountains.
I come to a clearing and see a flock of quail, each dressed with its own fancy spots, stripes and bobbling headpiece. They whistle as they run away on speedy legs.
I hear a crinkling sound and see California Towhee kicking up leaves to forage beneath them. As soon as I’m close, they fly away in perfect unison, their wings purring through the air.
Acorn Woodpeckers squawk and chuckle while they perch on tree trunks, wearing tuxedos and red caps, drilling holes and stuffing them with acorns. Their happy, gleeful chucking brings a smile to my face. They must be telling jokes to make work more fun. 
Off the trail, a thick oak branch grows horizontally from its trunk. Seeing that it’s dry and free of insects, I hoist myself onto it, stretch out my legs and recline back. The tree holds me like I am lying in its arm. 
Gazing into the canopy and up to the sky, I hear birds all around me. They rustle in leaves, they fly with fluttering wings. They sing, chirp, laugh, and coo. Each voice joins in one abundant song: the song of the forest.
I could lounge for hours on the tree branch listening, yet I know the forest does not sing for me. The forest needs no outside audience for its symphonies. It is a true and great artist: creating for creation’s sake, creating for itself. 
If the forest is the ultimate artist, how do I compare? What happens when I am the only one who reads my writing? 
I know the answer; I have felt it often. When I am my only audience, I get discouraged. I blame my voice — I call it awkward and uninteresting. My dream appears hopeless. My feelings keep me from putting words on the page.
The oak holds me like a mother. 
“Show me the way,” I whisper. “How can I create like you?”
“Close your eyes,” she says.
I obey. 
Minutes pass and I begin noticing subtle layers of the song. A hawk calls from high. A frog croaks in the distance. A crow caws. 
The forest tells me there’s room for every voice and contributors are never ashamed of their sound — it is the one they received at birth. They need not be melodic, gentle or harmonic to join the orchestra; they need only to be themselves. The song’s beauty is in its rich and vibrant variety. Each day it creates a new score without one thought of who will listen. The forest creates by design — without doubt or self-consciousness. 
Opening my eyes, I look into the tree with new understanding and say, “I will add my voice to the forest’s song.”

On the right, the tree who held me like a mother





Empty holes drilled by Acorn Woodpeckers

Gratitude: An Ode to the Rain

A severe drought — the worst in recorded history — has plagued California for years. Wildfires ravage the state, lakes receded to shocking levels, creeks and rivers ran dry. But this year, the rainstorms started early. One real storm blessed us in August, a few graced us in September, and this months we’ve had several large storms. I remember in 2013 we were ecstatic to have our first rain on Halloween — but that’s also when the rainy season ended.
At home, I am thankful even though the rain sends ants scurrying inside through every unsealed crack. The sweet, musty smell of wet earth makes up for it with each breath I take. I love turning to see my cat sit on our bench under our awning to watch the showers. Turning off the drip irrigation brought a smile to my face as do the seedlings propagated from flowers I planted in summer. Now I have an entire garden filled with baby plants. The world around me looks clean and vibrantly fresh.
Driving southwest, I am thankful for the rain even though I hate driving in the rain. At times, the downpour is heavy and my fastest wiper setting can’t clear the windshield; yet, I am grateful to slow down. As I pass vineyards and orchards, I praise grass between the rows, amazed to see green just south of Sacramento. I listen to drops beat a percussion on my windshield — I love them all, from the daintiest mist to the wildest splotches. The grey sky brightens my vision; clouds part and sunlight shines onto the earth in heavenly beams.
Just west of the San Luis Resevoir, I am grateful to see a soft dusting of green on brown hills — miraculous grass in a region that, lately, has been brown all year.
Stopping at a CVS in Carmel, I meet a transient man playing didgeridoo. We speak about his recent travels and experiences at Rainbow Gathering where he felt deep connections with strangers and realized the best of humanity is found when a society existed with a gifting economy and emphasized creation. Kneeling at his feet, I know I had so much more to be grateful for than I could ever count. I bring him food and shake his hand. I wish I could give him more, but I know he appreciated my gift by the way he smiles and waves goodbye.
As I drive into the hills of Carmel Valley to visit Linney at her mountain retreat, my heart grows at the site of last year’s Tassajara fire. Only a few months ago it looked post-apocalyptic, but now I see new life. This year, the Sobranas fire, which came within a mile of Linney’s retreat, burned for three months and decimated over 100,000 acres of the Los Padres National Forest. I am grateful for the rain, knowing it will act as a salve on the parched earth to bring healing and restore life to the land.

My thoughts turn to prayers of safety, which I send to those at Standing Rock protecting our healer, our medicine, our mother. As they honor our sacred earth, I pray our communities will gather in unity to defeat corporate greed that aims to destroy our precious home; I pray that understanding rain into the hearts and minds of the violent oppressors; I pray the water within all life glows with truth and righteousness to respect and defend that which gives us life. 

 

Cows and the green-dusted hills
A sign in Carmel Valley Village

New life in the burned area

The dirt road to Linney’s retreat looking vibrantly fresh

Burning Intentions

At this very moment, I’m on the road heading northeast to Black Rock City, Nevada for the art and music festival Burning Man. Far more than just a party, last year (my first time), I learned the truth of the saying “the playa delivers.” I got everything I wanted and even more of what I needed for my transformative path. Now, sitting in the front seat of a cargo van — packed full with supplies and costumes — I know the most important part of my preparation has been setting my intentions.

Putting intentions into words and sharing them with others seems to strengthen and solidify them. And so, I would like to share my Burning Man 2016 intentions with you:

  • To have deep, meaningful interactions with friends and strangers; to speak into peoples’ lives with wisdom and love.
  • To see the divine Light shining from the eyes of those around me; to feel divine peace and love; to feel the oneness of my divine nature.
  • To see beyond and let go of my self-limiting beliefs; to access new levels of consciousness; to step into my authentic truth.

When I emerge from the dust, I will have stories to share and I will let you know what became of my intentions.

Below is a video shot by Evan Halleck capturing a group hug from last year. I appear at about 50 seconds, wearing a white jacket and holding the hand of a very dear friend of mine.

Bikes on the Playa 2015; photo by Louise Lodigensky emsky.me

Pinnacles National Park: California’s Well-Kept Secret

Keeping my vow, the day I left work, I headed straight to Pinnacles National Park. Luckily for me, a glamsient friend had the day off and agreed to join me. We started at the visitor center on the east entrance where I saw a sign announcing the arrival of a California Condor.”A new baby! How exciting,” I said to the ranger behind the counter.
“Yes, a girl. We are thrilled,” she said. “It’s from the only nest in the park!”
“Do you have any camping available for tonight?” I asked. Knowing that many California parks fill up months in advance during summer, I braced myself for her answer.
“Oh yes, there’s plenty.” She handed me a map of the campground. “Pick out an empty space, come back and let us know which one you want.”
We drove towards the back of the campground — it was virtually empty! With so much availability, we found exactly what we wanted: a site surrounded by trees and bushes to give us privacy and shade.
High Peaks Trail via Bear Gulch Cave
For our first hike, we chose the High Peaks Trail by way of Bear Gulch Cave. My glamsient friend informed me this is the most popular trail in the park.
The first section guided us to Bear Gulch Cave, a rare talus cave thought to be formed in the ice age. The canopy of trees made this hike gentle and pleasant even in the middle of the afternoon. Created by large boulders that had fallen and wedged into narrow canyons, the cave was easy to navigate — sunlight made its way into the cave through open spaces to illuminate the path. We walked over bridges and up stairs created in the 1930s; part of the way, we had to crouch to pass underneath boulders.
“Wouldn’t want to be here during an earthquake,” my friend remarked. “The San Andreas fault is pretty close.”
For a popular destination at the park, the cave was by no means crowded; we saw only a few groups of people.
Leaving the cave, the trail led us to a small reservoir; that’s where the strenuous climb began to the High Peaks. Without the tree cover, under the blazing sun, every step moved me further uphill and every step told me that I am out of shape! I quickly realized this section of the trail would be much more enjoyable in cooler weather — either early morning in summer or a cooler time of year altogether!
(That being said, we saw many groups with children. They seemed fine. Hot, but fine.)
Ultimately, our effort paid off — the trail took us to an incredible peak revealing far reaching vistas of valleys, rock formations and mountain ranges to the east and west. The High Peaks trail showcases prehistoric rock formations; volcanic activity created these rocks 23 million years ago and erosion formed them into what we see today. It surprised me to learn seismic activity moved the solid, massive boulders over 195 miles northwest from the time of their creation.
At the crux, we walked up and over boulders that created a long ridge — in many places, the trail was carved by dynamite into footholds and steps. We stopped to catch our breath, but lost it when a Condor flew overhead! One of only 36 wild in the park, we knew we were in the right place at the right time.
Shortly after we made our descent, we saw a couple on the trail.
“Is the peak much farther?” The young man asked. He sat in shade created by chaparral, his face was red and dripping with sweat. “We are thinking of going back.”
“You’re so close,” I told him. “Keep going.”
“It’s worth it,” my friend said. “The views and everything — you don’t want to turn back.”
“And there’s a cave on the other side,” I said.
Halfway down, we found a spot to rest and wait for the full moon. Despite my aching feet and jelly knees, seeing the moon — large and pink — rise over the mountains at sunset was a glory to behold.
It was dark when we returned to camp for dinner. Eating that night, I noticed a sense of vitality within me. My blood pumped through my veins, fresh air emboldened my lungs and my muscles felt active and alive!
Balconies Trail
The next morning, my fellow glamsient left early for work. Part of me wanted to head home, but I quickly recognized that desire as my old habit of rushing to the destination. The Balconies Cave enticed me and, remembering to slow down and savor the journey, I chose to stay in the park.
Driving to the trailhead I saw quail, turkeys, and a doe with her fawn. The parking lot was empty apart from my car, and only the sound of birds accompanied me onto the path.
Meandering through trees, the Balconies trail is mostly flat — a perfect companion to yesterday’s strenuous hike. Yellow swallowtail butterflies greeted me as if to say I had made the right choice. I breathed deeply, enjoying the time to myself.
When I came to the entrance of the talus cave, I saw a large, metal gate. “Flashlights Required,” a sign read. Having seen a similar warning at the trailhead I had my headlamp — and thank goodness for that! The cave was pitch black; only little white painted arrows marked the trail.
Cool and dark, the deep quietude of the cave penetrated my being. I was completely alone, and instead of steadily moving through to the other side, I sat and turned off my headlamp. Surrounded by rock, my small, vulnerable body felt soft and humble, but I was not afraid. I felt held and supported. I seemed to dissolve, as if I were part of the rock, the air, the empty space. In perfect stillness, I tuned to the deepest part of me — connected and endless.
When I was ready, I moved forward through the cave. As soon as the first rays of sun beckoned me out I wanted to go back into the dark, cool, quiet chamber. It had given me a thrill unlike any other.
Hiking the next section of the trail — a moderate stretch with views of rock formations jutting out of the earth like balconies — my mind returned to my experience in the cave. Wholly grounding, yet also uplifting, I longed to return to the cave and the feeling of oneness.

Rock Formations
Small and humble
A shady, gentle, empty stretch of trail
Footholds in the trail
Rocky trail
Rock formations over the trail
Entering the cave
Exiting the cave
Taking in the view from the high peaks

 

Zion Transformation

Alone at 6:00 am, watching the sunrise over rock formations, climbing natural staircases, feeling smooth buttresses with the palm of my hand, I come to sit on the top of a earth-made spier — I feel like the uppermost piece of a cairn. I sit patiently, open to a message from the landscape.

A sparrow flies in circles around me. Scat below my feet tell me deer enjoyed this view not long ago. I recalled the joy I felt seeing the hot and thirsty doe near Angel’s Landing the day before, and my surprise to see her at high altitude. A tree grows from a crack in the rock behind me — most of the trees and plants I see here seem to force their way through hard, impossible places. The sun’s rays pass by clouds, creating beams of majestic light that illuminate the red, yellow and orange striped rocks around me. Only birdsong breaks the silence of the dawning day.

I look upon the earth before me. It is almost impossible to believe, sitting on a rock perch, that 275 million years ago this region was a flat sea basin. But it’s true: The iconic Zion landscape in Utah is the result of millions of years and five geological processes: sedimentation, lithification, uplift, erosion and volcanic activity. I look upon a working transformation — geological processes that continue today.

The resulting transformation is an unparalleled beauty that speaks to the soul of an unseen power. Several times while hiking I had to sit and pause in stillness and quietude to fathom the power of the rivers and the earth’s movements that created the structures and forced the earth towards the sky in vast towers and points.

I wondered, would the flat basin give home to the many plants and animals I had seen? Would the flat basin draw tens of thousands of visitors in a day with its grandeur? Could it provide the same inspiration to artists, have the power to pierce your heart, and take away your breath?

The spirit of Zion revealed itself to me with insight into myself.

I am a creature of change. I actively pursue transformation of my consciousness to become a more radiant reflection of human possibility — an instrument of equanimity, love and peace. I long to be transformed, to allow the processes within and without mold me and sculpt me into the shapes that I am destined to become.

The work of authentic transformation is ongoing and multifaceted: Zion is still changing. The rocks tell me to be humble, relax into the processes, accept and surrender to the unseen power. Growing pains must not be resisted or feared, but rather, seen as an effect of personal evolution. Life provides limitless opportunities for inner refinement; being present to reflect my true nature requires a Zion-like patience.

Sunrise; Zion National Park
Doe near Angel’s Landing
Orange Rocks
Yellow rocks
Once a flat sea basin
A tenacious tree
Virgin River; a major force in Zion’s transformation
Trees growing out of striped rock
Narrow Canyon

Tiny Homes for the Homefree

In the days after I talked with my friends about using self-care to enhance their creativity, I saw them internalize the message by eating more fresh foods, meditating as a group, and taking an afternoon off to swim in the Yuba river. In just a short time they were vibrant and joyous as if they had never fallen into a slump; more importantly, after they dedicated themselves to self-care, they accessed crucial, nuanced elements that brought completion to several songs. When they played me a few tracks I was spellbound by the gravity and emotion of the music; one song even brought me to tears.

Witnessing my friends gain immediate, fruitful vitality and accomplishment spurred me to nourish my inner artist with greater depth.

I began by writing a list of fun, compelling, and invigorating activities to feed my soul and refill my creative well (as Julia Cameron would call it). To my surprise, as I reviewed my list, I found many hobbies like gardening, juicing and playing piano that I couldn’t do often — or at all — while living on the road. I realized I missed them like long-lost friends.

I turned my inner eye to the loneliness, uncertainty, and aimlessness I’ve felt in the past year from living homefree. I thought of the time and energy I’ve lost from worrying about where I would go, which friend could host me, where to write, and how I could shift the moving parts to make it happen.

For the last few weeks I’ve taken a break from constant travel and have stayed in a cottage on my aunt and uncle’s property. It’s the longest I have stayed in any one place for the last year! But could I call it home?

Despite the difficulties of homelessness, I love the thrill and adventure of transience. I love the way it’s forced me to grow and stabilize in the present moment. Settling into one place felt like it could end my carefree, rolling stone lifestyle.

But what does my inner artist want?

I walked out of the cottage to a nearby pond. Standing beneath pines amongst lupine I felt the beauty of the landscape seep into my bones. I breathed deeply listening to the freedom of birds singing from the trees. Still water reflected clouds, and looking into its depths, my mind became quiet.

Wouldn’t it be refreshing to have a home again? I thought of all the comforts a home would provide: a grounding place to go back to; a sacred space for meditation, prayer and writing; my own bed. I love domestic activities; they enrich my life and nourish me. With a home I could cuddle my cat, play my piano, plant some flowers, and create a space and momentum for words to flow. A home would make self-care easier and diminish my greatest stressors. It didn’t have to mean an end to my glamsient ways; if I wanted, it could make glamsienting more sustainable.

I turned back to look at the cottage — yes, I would make this my artist’s home.

Clouds Reflected in the Pond